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Stravinsky: Petrushka, arranged for piano four hands

The Bugallo-Williams Piano Duo

Stravinsky's two-piano version of Agon is a real rarity. There's a lot of magic in the Bugallo-Williams’ performance. Jagged fanfares kick-start the ballet, still sounding very much...

Stravinsky: Petrushka, arranged for piano four hands

The Bugallo-Williams Piano Duo

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Stravinsky's two-piano version of Agon is a real rarity. There's a lot of magic in the Bugallo-Williams’ performance. Jagged fanfares kick-start the ballet, still sounding very much...

About

The young Stravinsky became acquainted with large parts of the Western music repertoire through piano arrangements. That might have been one reason for his later compositional practice to arrange major works for piano duet, or for two pianos. On this new release from WERGO the Bugallo-Williams Piano Duo has achieved its intention to present a complete collection of Igor Stravinsky's published piano arrangements. The present recording contains two ballets which show Stravinsky's compositional development within the genre: the almost film-like burlesque Petrushka as well as the abstract late work Agon which puts the ancient Greek concept of competition into a contradictory musical setting. In addition, it contains two arrangements of concert pieces: Concertino for string quartet lives on the alternation between homogeneous instrumental passages and soloistic crossed accents. The orchestral Scherzo à la Russe as 'jazz commercial' testifies to Stravinsky's adaptation to his life in America as well as to his love of the Russian types of form at the turn of the century. In their recording, Helena Bugallo and Amy Williams present the special charms of Igor Stravinsky's music in 'black and white': the piano arrangements reflect the sheer brilliance of his oeuvre in a concentrated form.

Contents and tracklist

1. Scene: The Shrovetide Fair
Track length5:09
I. Scene: The Magic Trick
Track length2:11
I. Scene: Russian Dance
Track length2:49
II. Scene: Petrushka’s Room
Track length4:29
III. Scene: The Moor’s Room
Track length2:49
III. Scene: Dance of the Ballerina
Track length0:44
III. Scene: Waltz / Appearance of Petrushka
Track length3:09
IV. Scene: The Shrovetide Fair (Toward Evening)
Track length1:07
IV. Scene: Dance of the Nursemaids
Track length2:47
IV. Scene: The Peasant and the Bear
Track length1:23
IV. Scene: The Jovial Merchant with Two Gypsy Girls
Track length1:14
IV. Scene: Dance of the Coachmen and Grooms
Track length2:06
IV. Scene: The Mummers – The Fight: The Moor and Petrushka – Death of Petrushka
Track length5:21
Pas-de-Quatre
Track length1:39
Double Pas-de-Quatre
Track length1:36
Triple Pas-de-Quatre
Track length1:10
Prélude
Track length0:54
First Pas-de-Trois: Saraband Step
Track length1:24
Gailliarde
Track length1:17
Coda
Track length1:21
Interlude
Track length0:53
Second Pas-de-Trois: Bransle Simple
Track length0:56
Bransle Gay
Track length0:52
Bransle Double
Track length1:21
Interlude 2
Track length0:53
Pas-de-Deux
Track length3:34
Coda 2
Track length1:29
Four Duos
Track length0:31
Four Trios
Track length0:40
Coda 3
Track length1:54

Awards and reviews

September 2018

Stravinsky's two-piano version of Agon is a real rarity. There's a lot of magic in the Bugallo-Williams’ performance. Jagged fanfares kick-start the ballet, still sounding very much like trumpets here, and the famously off-beat “Gaillard” retains its charms. It's a lot of fun.
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