Kunneke: Heart Overboard
Annika Boos, Linda Hergarten, Martin Koch, Julian Schulzki, Martin Krasnenko
WDR Funkhausorchester, Wayne Marshall
This is its first full modern recording; and, if you can get past a certain studio-bound ambience, there’s plenty to enjoy…Wayne Marshall conducts briskly, with an agreeably light touch and...
Kunneke: Heart Overboard
Annika Boos, Linda Hergarten, Martin Koch, Julian Schulzki, Martin Krasnenko
WDR Funkhausorchester, Wayne Marshall
Purchase product
This is its first full modern recording; and, if you can get past a certain studio-bound ambience, there’s plenty to enjoy…Wayne Marshall conducts briskly, with an agreeably light touch and...
About
“I have given every operetta the style demanded by the space and time in which it is set.” (Eduard Künneke. Driven by success, Künneke committed himself to the genre of the operetta in the 1920s and 1930s. The diversity of his many operettas reveals Künneke’s enormous adaptability to the stylistic currents of entertainment music at that time. He had most international success with Der Vetter aus Dingsda (1921), with which Künneke has almost exclusively been identified up to today. His successful operettas were even adapted for London and New York. Herz über Bord was premiered in 1935, initially at the Zurich Opera and was performed almost 500 times between 1935 and 1937, including in Dresden, Stuttgart, Stockholm and Berlin. The Berliner Zeitung noted: “Once again, we can listen to operetta music written by an artist, a man of taste. Every number has its own weight.”
Contents and tracklist
- Martin Krasnenko (bass), Annika Boos (soprano), Martin Koch (tenor), Linda Hergarten (soprano), Julian Schulzki (baritone)
- WDR Sinfonieorchester Köln, WDR Rundfunkchor Köln
- Wayne Marshall
- Recorded: 9-19 June 2017
- Recording Venue: Klaus-von-Bismarck-Saal, WDR Köln, Germany
Awards and reviews
September 2018
This is its first full modern recording; and, if you can get past a certain studio-bound ambience, there’s plenty to enjoy…Wayne Marshall conducts briskly, with an agreeably light touch and just enough flexibility to catch the lilt of the more expansive numbers…The cast sound youthful…soprano Annika Boos and tenor Martin Koch are sunny without being overly squally…This is a charming addition to the recorded repertoire, performed with affection.