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Carole Farley sings Grieg Songs

Carole Farley

Carole Farley sings Grieg Songs
The songs themselves are really good ones and the performances are top class. Carole Farley is a fine advocate for Grieg and the orchestrations, expertly realised by two London orchestras under...

Carole Farley sings Grieg Songs

Carole Farley

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The songs themselves are really good ones and the performances are top class. Carole Farley is a fine advocate for Grieg and the orchestrations, expertly realised by two London orchestras under...

About

Somm Recordings launches its new re-issues and historical label, Ariadne, with a spell-binding collection of songs by Edvard Grieg performed by the legendary husband-and-wife team of soprano Carole Farley and Jose Serebrier conducting the London Philharmonic and Philharmonia orchestras. Released by Dinemec Classics in 1998, 'Carole Farley sings Grieg Songs' follows Somm's acclaimed recording of Grieg's Piano Concerto and Piano Concerto No. 2 (arranged and orchestrated by Robert Matthew-Walker) by Mark Bebbington. Sensational American soprano Carole Farley brings enormous passion and exquisite poetry to intensely personal songs originally composed for piano accompaniment but here richly orchestrated by Jose Serebrier. Sung in Norwegian (with Norwegian texts and English translations in the booklet) the sublime result showcases Grieg at his most evocative, Farley at her most expressive and Serebrier at his most nuanced. Jose Serebrier says: 'My choice of songs for orchestration was dictated primarily by the character of the writing. In most cases, the orchestration seemed so obvious, it almost literally jumped out of the page. I took great care to orchestrate them idiomatically'. Carole Farley says: 'The idea for this recording was to make these under-performed songs available to a wider public. The poetry is so very evocative and the marriage of the words and the music makes these songs absolutely unique'.

Contents and tracklist

Peer Gynt, Op. 23: No. 28, Solveig’s Cradle Song
Track length4:26
6 Poems, Op. 25 (Arr. J. Serebrier for Voice & Orchestra): No. 1, Fiddlers
Track length2:40
6 Poems, Op. 25 (Arr. J. Serebrier for Voice & Orchestra): No. 2, A Swan
Track length2:20
6 Poems, Op. 25 (Arr. J. Serebrier for Voice & Orchestra): No. 3, Album Lines
Track length2:00
6 Poems, Op. 25 (Arr. J. Serebrier for Voice & Orchestra): No. 4, With a Water-lily
Track length2:21
6 Poems, Op. 25 (Arr. J. Serebrier for Voice & Orchestra): No. 5, Departed
Track length1:30
6 Poems, Op. 25 (Arr. J. Serebrier for Voice & Orchestra): No. 6, A Bird-Song
Track length3:03
The Mountain Thrall, Op. 32
Track length6:19
A Vision, Op. 33 No. 6 (Arr. F. Byl for Voice & Orchestra)
Track length2:06
From Monte Pincio, Op. 39 No. 1
Track length4:59
6 Songs, Op. 48 (Arr. R. Soderlind for Voice & Orchestra): No. 1, Greeting
Track length0:56
6 Songs, Op. 48 (Arr. R. Soderlind for Voice & Orchestra): No. 2, One Day, O Heart of Mine
Track length2:48
6 Songs, Op. 48 (Arr. R. Soderlind for Voice & Orchestra): No. 3, The Way of the World
Track length1:33
6 Songs, Op. 48 (Arr. R. Soderlind for Voice & Orchestra): No. 4, The Nightingale’s Secret
Track length3:43
6 Songs, Op. 48 (Arr. J. Serebrier for Voice & Orchestra): No. 5, The Time of Roses
Track length2:31
6 Songs, Op. 48 (Arr. J. Serebrier for Voice & Orchestra): No. 6, A Dream
Track length2:17
5 Songs of Norway, Op. 58: No. 2, To the Motherland (Arr. J. Serebrier for Voice & Orchestra)
Track length1:41
The Princess, EG 133 (Arr. J. Serebrier for Voice & Orchestra)
Track length3:25
5 Songs, Op. 60 (Arr. J. Serebrier for Voice & Orchestra): No. 1, Little Kirsten
Track length2:40
5 Songs, Op. 60 (Arr. J. Serebrier for Voice & Orchestra): No. 2, The Mother’s Lament
Track length2:57
5 Songs, Op. 60 (Arr. J. Serebrier for Voice & Orchestra): No. 3, On the Water
Track length2:13
5 Songs, Op. 60 (Arr. J. Serebrier for Voice & Orchestra): No. 4, A Bird Cried Out
Track length1:45
5 Songs, Op. 70: No. 1, Eros (Arr. M. Reger for Voice & Orchestra)
Track length3:29

Awards and reviews

January 2021

The songs themselves are really good ones and the performances are top class. Carole Farley is a fine advocate for Grieg and the orchestrations, expertly realised by two London orchestras under the watchful guidance of José Serebrier, add an extra dimension to Grieg’s inspiration.
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