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Pavanelli: Vanna

Federica Vitali (soprano), Camilla Antonini (mezzo-soprano), Moonjin Kim (mezzo-soprano), Élyse Charlebois (soprano), Livio Scarpellini (tenor), Giorgio Cebrian (baritone), Sebastian Ferrada (tenor), Ezio Pirovano (tenor), Carlo Torriani (tenor), Luca Favaron (tenor), Claudio Grasso (tenor), Pasquale...

Release Date: 27th Apr 2018
Catalogue No: GB2493
Label: Bongiovanni
Length: 44 minutes

Pavanelli: Vanna

Work length44:19

$11.00

$14.30

Martina Faedda (vocals), Federica Vitali (soprano), Camilla Antonini (mezzo-soprano), Moonjin Kim (mezzo-soprano), Élyse Charlebois (soprano), Livio Scarpellini (tenor), Giorgio Cebrian (baritone), Sebastian Ferrada (tenor), Ezio Pirovano (tenor), Carlo Torriani (tenor), Luca Favaron (tenor), Claudio Grasso (tenor), Pasquale Scircoli (tenor)
Sinfonietta di Milano, Coro dell'Associazione Musicale Calauce di Calolzio Corte
Vito Lo Re
Recorded: 1 March 2017

Vanna: Overture

Track length4:04

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Vanna: Oh! Ohè! Oho!! Giro giro tondo

Track length2:35

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Vanna: Che volete comari?

Track length3:11

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Vanna: Dite. Ditemi dunque che debbo fare?

Track length5:20

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Vanna: Anima mia di neve, ricordi

Track length3:31

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Vanna: Vanna? Sampiero!

Track length6:54

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Vanna: Vurria cantare

Track length1:58

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Vanna: Vanna, figliola mia

Track length4:56

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Vanna: Strano! Bello! Bizarra fantasia

Track length3:12

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Vanna: Aiuto, Francesco!

Track length4:42

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Vanna: La mia vita fu breve

Track length3:56

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$1.30

About
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About

Lamberto Pavanelli was born in Ferrara in 1890, but he established himself in Imola at a young age, graduating in piano and composition from the local conservatory. There is nothing known about his debut as a musician, but he must have been noticed not far on since, when he was just a bit older than twenty, he drew upon himself the attention of Casa Ricordi, which strove to represent his Vanna in the Teatro Dal Verme, a prestigious theater in Milan at that time. The opera was performed on November 23, 1910. Vanna is an exquisite score that transfigures a typical Realist libretto, with an orchestration having, at times, an almost Ravel-like touch. The overture is an introductory piece that already encloses within it the first signs of an impending drama, with the death knell, which resounds again at the end of the opera. The characters are well-constructed: the main character, since her first appearance, is presented to us as a young girl who is in love and who is indifferent to everything else. Exemplary, in this sense, is the beautiful romance, Anima mia di neve, ricordi? , perhaps the most significant page of the entire score.

Artists

Coro dell'Associazione Musicale Calauce di Calolzio Corte, Vito Lo Re

Pavanelli: Vanna

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