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Brahms: Violin Sonatas Nos. 1-3

Tuija Hakkila & Sirkka-Liisa Kaakinen-Pilch

Brahms: Violin Sonatas Nos. 1-3
Hakkila is a marvellous Brahmsian, although she eschews the traditional hearty style that reminds us of the burly, bearded fellow in photographs. Instead, her light touch and pliable, long-breathed...

Brahms: Violin Sonatas Nos. 1-3

Tuija Hakkila & Sirkka-Liisa Kaakinen-Pilch

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Hakkila is a marvellous Brahmsian, although she eschews the traditional hearty style that reminds us of the burly, bearded fellow in photographs. Instead, her light touch and pliable, long-breathed...

About

This album by Finnish duo partners Tuija Hakkila and Sirkka-Liisa Kaakinen-Pilch features Johannes Brahms’ (1833–1897) Violin Sonatas played on period instruments. These three sonatas by Brahms form a cornerstone of chamber music repertoire for violin.

Contents and tracklist

No. 4, Auf dem Kirchhofe (Arr. for Violin & Piano)
Track length2:44
I. Allegro amabile
Track length8:00
II. Andante tranquillo - Vivace
Track length6:21
III. Allegro grazioso quasi andante
Track length5:09
No. 1, Wie Melodien zieht es mir (Arr. for Violin & Piano)
Track length1:41
I. Allegro
Track length7:53
II. Adagio
Track length4:07
III. Un poco presto e con sentimento
Track length2:57
IV. Presto agitato
Track length5:58
No. 3, Regenlied (Arr. for Violin & Piano)
Track length4:23
I. Vivace ma non troppo
Track length10:14
II. Adagio
Track length7:01
III. Allegro molto moderato
Track length8:19

Awards and reviews

July 2018

Hakkila is a marvellous Brahmsian, although she eschews the traditional hearty style that reminds us of the burly, bearded fellow in photographs. Instead, her light touch and pliable, long-breathed phrasing give the music unusual fluidity and buoyancy…Theirs is a refreshing, unified view of these sonatas, and one I expect to return to again with grateful pleasure.

June 2018

These performances are tidy, respectable and well considered in terms of architecture. The recording is clear, bright and resonant, and the inclusion of a song arrangement associated with each sonata’s genesis provides additional interest and relevance.
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