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Special offer. Korngold: Symphonic Serenade & Sextet

NFM Leopoldinum Orchestra, Hartmut Rohde

Korngold: Symphonic Serenade & Sextet
Korngold’s Serenade is finally revealed as a genuine masterpiece of the string orchestra repertoire that deserves to sit alongside those more famous earlier examples of the genre by Tchaikovsky,...

Special offer. Korngold: Symphonic Serenade & Sextet

NFM Leopoldinum Orchestra, Hartmut Rohde

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Korngold’s Serenade is finally revealed as a genuine masterpiece of the string orchestra repertoire that deserves to sit alongside those more famous earlier examples of the genre by Tchaikovsky,...

About

Erich Wolfgang Korngold began composing his String Sextet during his vacation in Alt-Aussee in the summer of 1914 and whilst working on Violanta, his second opera. By the time he was seventeen years old, had already established himself internationally as a composer with an impressive work catalogue, and was regarded as the greatest child prodigy of his time. In the sextet, heard here in an arrangement for string orchestra by the conductor Hartmut Rohde, Korngold employs an opulent, richly colourful style in order to produce a highly romantic work consisting of four complex movements. Thirty years later Korngold was living in exile in Hollywood. Following a heart attack he was in hospital and began composing a work for string orchestra in his head while recuperating. The result was his Symphonic Serenade in B flat major op. 39, one of the best works he composed during the final years of his life.

Contents and tracklist

I. Allegro moderato
Track length9:03
II. Intermezzo
Track length4:20
III. Lento religioso
Track length10:24
IV. Finale
Track length6:18
I. Moderato - Allegro
Track length9:24
II. Adagio. Langsam
Track length8:47
III. Intermezzo. In gemäßigtem Zeitmaß, mit Grazie
Track length6:18
IV. Finale. Presto
Track length7:17

Awards and reviews

Musical Opinion July-September 2018

Korngold’s Serenade is finally revealed as a genuine masterpiece of the string orchestra repertoire that deserves to sit alongside those more famous earlier examples of the genre by Tchaikovsky, Dvorak and Elgar.
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