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Burgess, A: The Bad-Tempered Electronic Keyboard

Stephane Ginsburgh (piano)

Burgess’ 1985 work pays homage not only to Bach, but to Shostakovich, particularly in its more rugged dissonant counterpoint. There’s a hint of Ronald Stevenson in the writing, too, and some...

Burgess, A: The Bad-Tempered Electronic Keyboard

Stephane Ginsburgh (piano)

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Burgess’ 1985 work pays homage not only to Bach, but to Shostakovich, particularly in its more rugged dissonant counterpoint. There’s a hint of Ronald Stevenson in the writing, too, and some...

About

During a prolific period in his artistic life, both musically and as an author – he often referred to himself principally as a composer who had drifted into authorship – Anthony Burgess composed a set of 24 Preludes and Fugues called The Bad-Tempered Electronic Keyboard, written to celebrate the 300th anniversary of the birth of Johann Sebastian Bach. This ingenious and inventive piece, with its brief romantic and music hall elements, oscillates between the classicism of Bach and the modernity of Shostakovich, whose own set of Preludes and Fugues had been written in 1950-51.

Contents and tracklist

Prelude No. 1 in C Major
Track length0:42
Fugue No. 1 in C Major
Track length1:50
Prelude No. 2 in D-Flat Major
Track length0:43
Fugue No. 2 in D-Flat Major
Track length1:12
Prelude No. 3 in D Major
Track length1:33
Fugue No. 3 in D Major
Track length1:03
Prelude No. 4 in E-Flat Major
Track length1:01
Fugue No. 4 in E-Flat Major
Track length1:31
Prelude No. 5 in E Major
Track length1:22
Fugue No. 5 in E Major
Track length1:19
Prelude No. 6 in F Major
Track length0:46
Fugue No. 6 in F Major
Track length1:36
Prelude No. 7 in G-Flat Major
Track length0:53
Fugue No. 7 in G-Flat Major
Track length2:04
Prelude No. 8 in G Major
Track length1:50
Fugue No. 8 in G Major
Track length1:55
Prelude No. 9 in A-Flat Major
Track length1:25
Fugue No. 9 in A-Flat Major
Track length2:28
Prelude No. 10 in A Major
Track length0:44
Fugue No. 10 in A Major
Track length1:51
Prelude No. 11 in B-Flat Major
Track length0:32
Fugue No. 11 in B-Flat Major
Track length1:57
Prelude No. 12 in B Major
Track length3:31
Fugue No. 12 in B Major
Track length2:36
Prelude No. 13 in C Minor
Track length2:17
Fugue No. 13 in C Minor
Track length1:25
Prelude No. 14 in C-Sharp Minor
Track length1:11
Fugue No. 14 in C-Sharp Minor
Track length2:34
Prelude No. 15 in D Minor
Track length1:31
Fugue No. 15 in D Minor
Track length1:13
Prelude No. 16 in E-Flat Minor
Track length2:31
Fugue No. 16 in E-Flat Minor
Track length2:22
Prelude No. 17 in E Minor
Track length1:37
Fugue No. 17 in E Minor
Track length1:04
Prelude No. 18 in F Minor
Track length1:38
Fugue No. 18 in F Minor
Track length1:38
Prelude No. 19 in F-Sharp Minor
Fugue No. 19 in F-Sharp Minor
Track length0:55
Prelude No. 20 in G Minor
Track length2:17
Fugue No. 20 in G Minor
Track length2:46
Prelude No. 21 in G-Sharp Minor
Track length2:06
Fugue No. 21 in G-Sharp Minor
Prelude No. 22 in A Minor
Track length1:07
Fugue No. 22 in A Minor
Track length2:12
Prelude No. 23 in B-Flat Minor "Fantasia on B.A.C.H."
Track length1:42
Fugue No. 23 in B-Flat Minor
Track length1:20
Prelude No. 24 in B Minor
Track length2:14
Fugue No. 24 in B Minor
Track length3:32
Finale. Natale 1985
Track length2:03

Awards and reviews

May 2018

Burgess’ 1985 work pays homage not only to Bach, but to Shostakovich, particularly in its more rugged dissonant counterpoint. There’s a hint of Ronald Stevenson in the writing, too, and some might even find passing nods to the severity of Sorabji’s Opus Clavicembalisticum. A ‘Fantasia on BACH’ is perhaps inevitable; less predictable is a finale entitled ‘Natale 1985’ based on three famous Christmas carols. Stephane Ginsburgh makes the finest case imaginable, his sound superbly captured. Recommended.

classicalsource.com January 2018

One admires Stephane Ginsburgh’s manifest dedication to music which, simply because of its provenance, may well be heard by many more listeners who would otherwise not bother had the composer been John Doe. Burgess had a musical gift, there is no doubt.
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