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Prokofiev: Ivan The Terrible

Rundfunk-Sinfonieorchester Berlin, Frank Strobel

Prokofiev: Ivan The Terrible
Sonically speaking this Berlin-made production is certainly up to the job and its conductor has a whole series of comparable restorations under his belt…Prudenskaya, fresh from her Royal Opera...

Prokofiev: Ivan The Terrible

Rundfunk-Sinfonieorchester Berlin, Frank Strobel

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Sonically speaking this Berlin-made production is certainly up to the job and its conductor has a whole series of comparable restorations under his belt…Prudenskaya, fresh from her Royal Opera...

About

Ivan the Terrible – the second joint project of Sergei Eisenstein and Sergei Prokofiev – is, much like Alexander Newski, a historical epic, portraying the rise and fall of the autocratic ruler Ivan IV in the 16th century. Sergei Prokofiev’s musical portrayal is unique in film history, for the score conceives both parts of the film on an epic scale. Prokofiev’s rich melodic invention thrives on the expressive sound palette of his native Russia, mostly as they echo the spiritual works of the Russian-orthodox liturgy.

Contents and tracklist

Pt. 1: Prologue
Track length2:41
Pt. 1: Overture
Track length2:40
Pt. 1: Kyrie eleison
Track length2:41
Pt. 1: Sonfrony's Cherubic Song
Track length0:47
Pt. 1: May He Live Forever!
Track length2:50
Pt. 1: Sonfrony's Cherubic Song (Continued)
Track length1:13
Pt. 1: Hallelujah
Track length0:37
Pt. 1: Song of Praise
Track length3:31
Pt. 1: Ivan's Tent I - Riot
Track length6:31
Pt. 1: Riot (Continued)
Track length1:53
Pt. 1: The Entrance of the Tartars - Overture (Continued)
Track length0:55
Pt. 1: Cannon Are Brought to Kazan - Ivan's Tent II - The Tartar
Track length3:03
Pt. 1: The Cannoneers - The Tartars
Track length4:33
Pt. 1: Ivan's Tent III
Track length0:45
Pt. 1: Kurbsky's Trumpets - The Attack
Track length1:53
Pt. 1: My Soul - Most Merciful Lord
Track length5:16
Pt. 1: Ivan Pleads with the Boyars
Track length6:36
Pt. 1: The Tartar Steppes
Track length0:54
Pt. 1: Anastasia Is Poisoned - Anastasia's Illness
Track length6:16
Pt. 1: Eternal Remembrance - With All the Saints
Track length6:23
Pt. 1: Anastasia Is Poisoned (Continued) - Ivan at Anastasia's Coffin
Track length1:35
Pt. 1: Chorus I - The Oath of the Oprichniki - Come Back!
Track length4:05
Pt. 2: Overture I
Track length2:11
Pt. 2: Fanfares - Polonaise
Track length1:47
Pt. 2: Overture II - Orderly Dance I
Track length1:02
Pt. 2: The Death of Glinskaya I
Track length1:11
Pt. 2: Ivan's Tent - Overture III
Track length1:48
Pt. 2: Shuisky and the Keepers of the Hounds I - The Death of Glinskaya II
Track length2:04
Pt. 2: Anastasia Is Poisoned
Track length0:38
Pt. 2: The Death of Glinskaya III
Track length0:50
Pt. 2: Do Not Weep for Me, Mother
Track length2:13
Pt. 2: You Were Told, Judas
Track length1:28
Pt. 2: Wonderful Is God - We Are Innocent and at Their Mercy
Track length2:37
Pt. 2: Overture IV
Track length0:38
Pt. 2: We Are Innocent and at Their Mercy (Continued)
Track length1:10
Pt. 2: The Death of Glinskaya IV
Track length1:09
Pt. 2: Song of the Beaver
Track length3:12
Pt. 2: Shuisky and the Keepers of the Hounds II
Track length2:33
Pt. 2: Chaotic Dance - Orderly Dance II
Track length3:11
Pt. 2: Song of the Oprichniki I - Orderly Dance III - Shuisky and the Keepers of the Hounds III
Track length3:33
Pt. 2: Orderly Dance IV
Track length1:00
Pt. 2: Song of the Oprichniki II
Track length2:19
Pt. 2: My Soul
Track length2:14
Pt. 2: The Oath and Song of the Oprichniki III - Chorus II - Vladimir's Murder
Track length4:48
Pt. 2: The Entrance of Ivan
Track length1:14
Pt. 2: Song of the Beaver (Continued)
Track length1:32
Pt. 2: The Oath of the Oprichniki
Track length1:26
Pt. 2: Come Back!
Track length1:23

Spotlight on this release

Awards and reviews

June 2018

Sonically speaking this Berlin-made production is certainly up to the job and its conductor has a whole series of comparable restorations under his belt…Prudenskaya, fresh from her Royal Opera House debut as Azucena (Il trovatore), has a deep-pile, obviously Slav instrument. Like the more familiar Muscovite bass, Alexander Vinogradov, she seems perfect casting. Only the instrumentals lack a certain Soviet heft.
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