Arnesen has a particular affinity with the soprano voice, and Child of Song, The Gift I’ll Leave You, Dormi, Jesu and Making or Breaking are all conceived to highlight that range, in the final case with the addition of a soprano saxophone that adds an ECM-ish tinge to the piece. Most pieces are relatively short and there is a slightly mechanical pace to the programme, which never again quite reaches the heights of the opening Even When He Is Silent, setting of a graffito from a concentration camp wall. That has echoes of something else, too, and one feels with Arnesen that a lot of work is conceived ‘in the style – or shadow – of…’ Beautiful music, though, and expertly sung.