Special offer. Schubert: Symphonies Nos 2 & 5
Antwerp Symphony Orchestra, Phillipe Herreweghe
Herreweghe maintains focus throughout the music, refusing to allow the Second’s motivic working to sink into prolixity. His wind soloists make a lovely sound and the rest of the orchestra is...
Special offer. Schubert: Symphonies Nos 2 & 5
Antwerp Symphony Orchestra, Phillipe Herreweghe
Purchase product
Herreweghe maintains focus throughout the music, refusing to allow the Second’s motivic working to sink into prolixity. His wind soloists make a lovely sound and the rest of the orchestra is...
About
After the success of his recordings of Symphonies nos. 1, 3 and 4, released on the Phi label in 2016, Philippe Herreweghe offers us the next instalment of Schubert’s orchestral output with the Royal Flemish Philharmonic: the Symphony no.2 D. 125 and Symphony no.5 D. 485 – both in B flat major. Like those on the previous disc, these works from his youth – written when the Viennese composer was not yet twenty years old – mark the promising beginnings of an already highly accomplished composer. They demonstrate finesse of large-scale symphonic construction, even though the Fifth is the least heavily scored of the cycle – it is the only one that does not call for clarinets, trumpets and timpani. The Second, with its light character, requires just as much subtlety from the orchestra – which Philippe Herreweghe and the Philharmonic provide with their accurate and intelligent playing throughout this album.
A new homage from the Belgian conductor to the genius of the Viennese composer, whose later symphonies are better-known to us, while his earlier works are – quite unfairly - not played or recorded enough!
Contents and tracklist
- Antwerp Symphony Orchestra
- Philippe Herreweghe
- Recorded: 21-24 June 2016
- Recording Venue: AMUZ Antwerpen, Belgium
- Antwerp Symphony Orchestra
- Philippe Herreweghe
- Recorded: 21-24 June 2016
- Recording Venue: AMUZ Antwerpen, Belgium
Awards and reviews
March 2018
Herreweghe maintains focus throughout the music, refusing to allow the Second’s motivic working to sink into prolixity. His wind soloists make a lovely sound and the rest of the orchestra is clearly well-drilled and alert. The Fifth is, of course, one of the most cherishable of all symphonies and is finely served by these Belgian forces.