Thomas Stoltzer: Missa duplex per totum annum & Psalm Motets

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Release Date: 1st Dec 2017
Catalogue No: 999295-2
Label: CPO
Length: 61 minutes

Stoltzer: Levavi oculos meos a 5, "Psalm 120"

Work length7:42

$2.00

$2.60

Weser-Renaissance Bremen
Manfred Cordes

Stoltzer: Missa duplex per totum annum

Work length12:10

$3.00

$3.90

Weser-Renaissance Bremen
Manfred Cordes

Missa duplex per totum annum: Kyrie

Track length4:17

$1.00

$1.30

Missa duplex per totum annum: Gloria

Track length7:53

$2.00

$2.60

Stoltzer: Octo Tonorum Melodiae a 5

Work length2:43

$1.00

$1.30

Weser-Renaissance Bremen
Manfred Cordes

Octo Tonorum Melodiae a 5: Melodia quarti toni

Track length2:43

$1.00

$1.30

Stoltzer: Credo

Work length5:00

$1.00

$1.30

Weser-Renaissance Bremen
Manfred Cordes

Octo Tonorum Melodiae a 5

Work length3:04

$1.00

$1.30

Octo Tonorum Melodiae a 5: Melodia quinti toni

Track length3:04

$1.00

$1.30

Stoltzer: Benedicam Dominum a 5, "Psalm 33"

Work length13:26

$3.00

$3.85

Weser-Renaissance Bremen
Manfred Cordes

Missa duplex per totum annum

Work length4:49

$1.00

$1.30

Missa duplex per totum annum: Sanctus - Benedictus

Track length4:49

$1.00

$1.30

Stoltzer: Missa Kyrie Summum

Work length4:37

$1.00

$1.30

Weser-Renaissance Bremen
Manfred Cordes

Missa Kyrie summum: Agnus Dei

Track length4:37

$1.00

$1.30

Stoltzer: Omnes gentes plaudite a 5, "Psalm 46"

Work length8:16

$2.00

$2.60

Weser-Renaissance Bremen
Manfred Cordes

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Stoltzer’s composing covered all the musical genres of his time. During his Breslau years he initially focused on works for liturgical performance. Later, during his years in Ofen, his interest shifted more to free sacred music intended for edification and not specifically set for the Mass. Although he was some thirty years younger than his model Heinrich Finck, he earlier and more decidedly absorbed influences from the Franco-Flemish motet style current around 1500. However, he did not deny his German roots; he retained the cantus firmus and during his last years as a composer developed affective and pictorial settings for the texts underlying his compositions. In 1996 cpo and WESER-RENAISSANCE selected a program consisting of the Missa duplex per totum annum and three Psalm motets. The austere tonal beauty unique to these works and their rich use of musical figures and profound symbols form the first high point of a typically German polyphonic style. Here the man who was perhaps the most important German composer of the early sixteenth century comes into view; in any case, it was not without reason that his contemporaries reverently termed him the ‘Primus Artifex.’

Thomas Stoltzer: Missa duplex per totum annum & Psalm Motets

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