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Special offer. Russian Revolutionaries, Vol. 1: Victor Ewald; Oskar Böhme

The Prince Regent's Band

Russian Revolutionaries, Vol. 1: Victor Ewald; Oskar Böhme
The Prince Regent’s Band score brownie points by adhering to Ewald’s original scoring, in this case a pair of cornets, althorn, baritone and tuba, instead of the standard line-up of two trumpets,...

Special offer. Russian Revolutionaries, Vol. 1: Victor Ewald; Oskar Böhme

The Prince Regent's Band

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The Prince Regent’s Band score brownie points by adhering to Ewald’s original scoring, in this case a pair of cornets, althorn, baritone and tuba, instead of the standard line-up of two trumpets,...

About

Russian Revolutionaries: Ewald & Böhme marks both the centenary of the 1917 Russian Revolution and the launch of period instrument ensemble The Prince Regents Bands survey of late-nineteenth- and early-twentieth century Russian brass chamber music. PRB perform two of the revolutionary Victor Ewald Quintets in their original instrumentation along with works by the versatile composer and cornettist Oskar Böhme, a German émigré to Russia who was caught up in the turmoil of the fall out of the revolution and executed by the Soviet regime.

Contents and tracklist

I. Adagio ma non tanto - Allegro molto
Track length6:05
II. Scherzo
Track length2:20
III. Andante cantabile
Track length3:59
IV. Allegro con spirito
Track length4:08
I. Kleiner-Marsch
Track length1:38
II. Gavotte
Track length1:58
III. Menuett
Track length1:43
IV. Deutscher Reigen
Track length1:56
I. Nokturno
Track length2:56
II. Barkarole
Track length5:02
I. Allegro risoluto
Track length7:09
II. Thema con Variationi
Track length7:02
III. Allegro vivace
Track length4:49
Praludium in C Minor
Track length3:11
Fugue in C Minor
Track length2:24
Praludium in E-Flat Major
Track length2:31
Fuga in E-Flat Major
Track length2:08
I. Moderato - Più mosso
Track length4:41
II. Adagio
Track length3:33
III. Allegro moderato
Track length3:45

Awards and reviews

25th November 2017

The Prince Regent’s Band score brownie points by adhering to Ewald’s original scoring, in this case a pair of cornets, althorn, baritone and tuba, instead of the standard line-up of two trumpets, horn, trombone and tuba. It makes for a glorious noise, the individual instruments snuggling together rather than jostling for attention. Plus the group plays, rather heroically, on brass instruments manufactured in the late 19th century.
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