Radulović delivers a free-flowing rhapsodic account of Tchaikovsky’s Violin Concerto, emplying an impressively wide range of tonal colouring and frequent use of rubato…Radulović also demonstrates remarkable credentials as a viola player in an unusual transcription of the Rococo Variations…There are also places in the score where this version works really imaginatively.

Magic is there from Radulović’s first phrase, floating on wings of fantasy as Sascha Goetzel pulls back the Borusan Istanbul Philharmonic after their orchestral introduction…Radulović has a big, muscular tone, but it’s a clean sound without overcooking the vibrato…Radulović’s viola tone is just as firm and clean as on the violin.