Sir Karl Jenkins presents Symphonic Adiemus, the new album, of epic proportions. Brand new recordings of the greatest moments from the Adiemus series features an extended orchestra of over 100, including over 20 layers of classical and ethnic percussion, and a choir of 80. With judicious use of multi-tracking, there are sometimes over 400 participants heard at any one time.

Since 1995, when Adiemus first appeared with its unique blend of the classical and the ethnic, with my invented language for lyrics, I have been inundated with requests, from choirs around the world, for an Adiemus that, for the first time, included male voices as well as female. The idea of re-orchestrating a selection from the past led me to a new concept ofincreasing the forces across the board, making the whole sound massive and symphonic.”

Symphonic Adiemus – the best of Karl Jenkins as you’ve never heard it before.

Artists

Ruth Rosales (contra bassoon), Gareth McLearnon (piccolo), Jon Carnac (clarinet), Duncan Ashby (clarinet), David Fuest (bass clarinet), Jenny Brittlebank (oboe), Janey Miller (oboe), Ilid Jones (cor anglais), Julie Andrews (bassoon), Richard Skinner (bassoon), Joseph Walters (french horn), John Thurgood (french horn), Harry Witstanley (flute), Pip Eastop (french horn), Dave Bentley (french horn), Christopher Deacon (trumpet), Simon Munday (trumpet), David Geoghegan (trumpet), Becky Smith (trombone), Peter Beachill (trombone), Robert Collinson (bass trombone), Peter Smith (tuba), Claire Wickes (flute), Gergely Kuklis (concertmaster), Neville Creed (chorus director), Zands Duggan (percussion), Jody Jenkins (percussion), Balazs Buitor (concertmaster), Scott Bywater (timpani), Emma Halnan (flute), Balazs Bujtor (concertmaster), London Philharmonic Choir, Adiemus Symphony Orchestra Of Europe, Karl Jenkins, Peter Pejtsik