It is difficult to talk of Alberto Zedda in the past tense. Zedda was a person of such enthusiasm that it immediately rubbed off on all those who approached him. In addition to being an excellent conductor, he was an organizer of cultural events, a highly-efficient manager, full of ideas, who put at the service of music his omnivorous culture. For Dynamic Alberto Zedda recorded live Rossini’s Otello, Semiramide and Armida. Partially written in 1831 and only completed at the end of 1841, Rossini’s Stabat Mater was premiered in Paris, at the Theatre Italien, on January 7, 1842, delivered by fine soloists: Giulia Grisi, Emma Albertazzi, Mario de Candia and Antonio Tamburini. It has always been the composer’s best-known and most popular sacred work, because of the power of its dramatic contrasts and beautiful melodies, which make of it one of the masterpieces of Italian 19th-century sacred music, worthy of a place beside Giuseppe Verdi’s Messa da Requiem.