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G.A. Ristori: Cantatas for Soprano & Oboe concerto

María Savastano (soprano), Jon Olaberria (oboe)

Ensemble Diderot, Johannes Pramsohler

G.A. Ristori: Cantatas for Soprano & Oboe concerto

Awards:

Each cantata invokes a feisty woman wracked by the torments of thwarted love…Savastano combines smouldering fury with sovereign presence…After all the anguished breast-beating, a genial oboe...

G.A. Ristori: Cantatas for Soprano & Oboe concerto

María Savastano (soprano), Jon Olaberria (oboe)

Ensemble Diderot, Johannes Pramsohler

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Awards:

Each cantata invokes a feisty woman wracked by the torments of thwarted love…Savastano combines smouldering fury with sovereign presence…After all the anguished breast-beating, a genial oboe...

About

We are proud to announce the next recording from this innovative, creative and critically acclaimed label, Audax Records. Johannes Pramsohler and his Ensemble Diderot rediscover yet again a completely forgotten composer: Giovanni Alberto Ristori, vice-“capellmeister” under Johann Adolf Hasse at the famed Dresden court.

The princess of Saxony wrote the libretti for three cantatas; three powerful monologues by three powerful women, masterfully set to music by Ristori: Dido, abandoned by her love and in complete despair, throws herself into the flames; Lavinia, forced to leave her fiancé tries to explain her action; Nice, taken by hallucinations accuses Cupid as being very unhelpful.

These three heroines are entrusted to the breathtaking vocal technique of an award winning soprano and to an ensemble that is setting new standards in the interpretation of baroque music.

Johannes Pramsohler describes soprano Maria Savastano as: "....world class and a huge discovery. This is a fabulous recording which I am extremely proud of: the world premiere of some breathtaking cantatas for Soprano and orchestra and an oboe concerto by Giovanni Alberto Ristori who was the deputy-kapellmeister to Hasse in Dresden. "

The brilliant oboe concerto will surely enter the repertoire of oboists everywhere.

María Savastano has been hailed by La Nación as “the new Argentinean promise of classical singing.” The remarkably versatile and expressive singer was a member of the Instituto Superior de Artes del Teatro Colón and of the Atelier lyrique de l’Opéra national de Paris.

Contents and tracklist

I. Recitativo: "Deh! Senti, o Turno amato!"
Track length2:16
II. Aria: "Placa lo sdegno, oh Dio"
Track length7:12
III. Recitativo: "Ma, oh Dio, tu non rispondi?"
Track length3:05
IV. Aria: "M'affretta il padre all'ara"
Track length6:09
I. Marcia
Track length1:24
II. Recitativo: "Dunque il perfido Enea"
Track length2:01
III. Aria: "Quante volte in dolci accenti"
Track length9:03
IV. Recitativo: "Ma qual raggio mi scorge"
Track length3:12
V. Aria: "Contra di te sdegnati"
Track length4:28
I. Recitativo: Ah! Crudo Amore
Track length2:25
II. Aria: Non v'è duolo uguale al mio
Track length6:49
III. Recitativo: Ma già che il crudo Amore
Track length3:35
IV. Aria: È d'Amor dolce l'Impero
Track length4:58
I. Andante
Track length0:58
II. Allegro
Track length3:45
III. Grave
Track length2:21
IV. Allegro
Track length4:21

Awards and reviews

  • Presto Editor's Choice
    July 2017

Christmas 2017

Each cantata invokes a feisty woman wracked by the torments of thwarted love…Savastano combines smouldering fury with sovereign presence…After all the anguished breast-beating, a genial oboe concerto, genially despatched by Jon Olaberria, restores benign equilibrium.

October 2017

Savastano shrewdly balances lyrical elegance and dramatic anguish in numerous extremely dynamic accompanied recitatives and theatrically charged arias; the singing is uniformly passionate in tone and technically excellent.

10th August 2017

Savastano handles everything with secure confidence and her soprano has a bright, silvery gleam that is appealing even if she seems unwilling to soften its edge for the more contemplative moments...we also hear Ristori’s E flat Oboe Concerto, with Jon Olaberria the sweet-toned, sunny soloist.
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