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Ernst Toch: Solo Piano Pieces

Anna Magdalena Kokits (piano)

she's mastered his idiom, and this is an affectionate, eloquent and vividly played collection...After the Sonata the three Burlesques, Op. 31, are the most substantial pieces here, and Kokits...

Ernst Toch: Solo Piano Pieces

Anna Magdalena Kokits (piano)

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she's mastered his idiom, and this is an affectionate, eloquent and vividly played collection...After the Sonata the three Burlesques, Op. 31, are the most substantial pieces here, and Kokits...

About

All the works on this album derive from the inter-war years, i.e. the period in which Toch completely de-romanticized his music by disregarding late Romantic harmonic conventions and restrictions. "What has always fascinated and impressed me from the outset - particularly in the works after 1918 - is their reduction to the essential and salient. Every note conveys the impression of being absolutely necessary, and not one is superfluous or replacable. Ernst Toch's music is convincing, and his story moves me in such a special way that I feel a great need to make his music accessible to a broader public again and to contribute my share towards re-integrating the "most forgotten composer of the 20th century", as he often called himself in teh final years of his life, in musical life today." (Anna Magdalena Kokits)

Contents and tracklist

No. 1, Gemächlich
Track length3:23
No. 2, Lebhaft
Track length2:48
No. 3, Der Jongleur. Muito vivo (Sehr lebhaft)
Track length1:50
No. 1, Ruhig und durchwegs sehr zart
Track length1:47
No. 2, Zart, nicht eilen
Track length2:01
No. 3, Mäßiges allegro
Track length1:49
No. 1, Zart, nachdenklich
Track length1:02
No. 2, Lebhaft
Track length2:16
No. 3, Graziös, heiter
Track length1:14
No. 4, Sehr zart und innig
Track length1:02
No. 5, Mit ausgelassenem Humor
Track length0:48
No. 1, Nachdenklich
Track length0:53
No. 2, Moderato
Track length0:49
No. 3, Moderato
Track length0:44
No. 4, Marschmäßig, kräftig
Track length0:37
No. 5, —
Track length0:34
No. 6, Andante
Track length0:58
No. 7, Flüssig
Track length0:49
No. 8, Meditation. Langsam und zart
Track length0:56
No. 9, —
Track length0:39
No. 10, Allegro
Track length0:53
No. 1, Etwas gemächlich
Track length1:02
No. 2, Ruhig und zart
Track length1:45
No. 3, Allegro
Track length1:13
No. 4, Allegro moderato
Track length1:07
No. 5, Ruhig fließend
Track length2:46
No. 6, Allegro moderato
Track length1:26
No. 7, Lustig
Track length0:44
No. 8, Poco vivace
Track length0:57
No. 9, Moderato
Track length1:58
No. 10, Presto
Track length0:39
I. Junges Kätzchen. Allegretto grazioso
Track length0:23
II. Müde bin ich. Andante
Track length1:16
III. Ach hätt' ich doch. Langsam
Track length1:10
IV. Auf dem Schulweg. Allegretto
Track length0:51
V. Leiermann. Moderato e semplice
Track length0:46
VI. Im Gänsemarsch. Lebhaft
Track length0:26
VII. Armes Kind. Langsam
Track length1:33
VIII. Abzählen
Track length0:27
IX. Spaßvögel. Allegretto
Track length0:37
X. Alleingelassen
Track length1:45
XI. Hinter der Musik her. Lustig
Track length0:38
XII. Über den Marktplatz. Lebhaft
Track length0:36
XIII. Dem Herbst entgegen. Ruhig
Track length0:44
XIV. Gassenhauer. Allegro vivo
Track length1:08
I. Quasi Toccata
Track length2:51
II. Intermezzo
Track length1:45
III. Allegro
Track length2:15

Awards and reviews

July 2017

she's mastered his idiom, and this is an affectionate, eloquent and vividly played collection...After the Sonata the three Burlesques, Op. 31, are the most substantial pieces here, and Kokits - as she does throughout - nicely captures their contrast of brilliant foreground and overcast middle distance, playing with just enough rhythmic flexibility to let the character of each miniature emerge.
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