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Mala Punica
Exaudi, Hortus Ensemble, James Weeks
an immaculately details performance where each line carries weight and audibly contributes to the whole...through careful cultivating, mixed with an openness to letting his material run wild,...
Mala Punica
Exaudi, Hortus Ensemble, James Weeks
Purchase product
an immaculately details performance where each line carries weight and audibly contributes to the whole...through careful cultivating, mixed with an openness to letting his material run wild,...
About
Since its debut in 2002, EXAUDI has emerged as one of Britain’s leading contemporary music ensembles. EXAUDI is based in London. The ensemble typically works as a consort rather than a choir. EXAUDI’s special affinities are High Renaissance, early Baroque and especially contemporary music, at home equally with maximal complexity, microtonality and experimental aesthetics.
Mala Punica (pomegranate) is an extraordinary album, particularly because the leader and composer James Weeks has written the settings of the poems „Song of Songs“ especially for the eight voices of EXAUDI which he founded together with the soprano Juliet Fraser. The erotic poems from the Tanach (Old Testament) fascinate through the impressive aesthetic power of EXAUDI. This song circle is framed by the instrumental composition „Walled Garden“. „Mala Punica“ and „Walled Garden“ are totally merged into one another and form an artistic unity.
Contents and tracklist
- Exaudi Vocal Ensemble
- Recorded: 23 April 2009 and 5 October 2015
- Recording Venue: Oxford Church, Suffolk, United Kingdom
- Exaudi Vocal Ensemble
- Recorded: 23 April 2009 and 5 October 2015
- Recording Venue: Oxford Church, Suffolk, United Kingdom
Awards and reviews
July 2017
an immaculately details performance where each line carries weight and audibly contributes to the whole...through careful cultivating, mixed with an openness to letting his material run wild, Weeks proves himself both expert architect and gardener.
11th May 2017
this is a seductive thing: lush, finespun music by James Weeks, performed by his peerless vocal ensemble Exaudi and the excellent instrumentalists of the Netherlands-based Hortus Ensemble – artfully recorded, too...There’s a refinement and definition to the writing that sounds just right in Exaudi’s chiselled-but-definitely-not-chaste delivery.