The film:- In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces. The superhero genre gets one of its all-time great entries as Hugh Jackman returns a final time to the role that made him a superstar, in director James Mangold's Logan. The supposed last chapter in the superhero Wolverine's cinematic saga, Logan brings with it an R-rating and a great deal of mystery about the exact nature of the story, how it all plays out for the beloved mutant character, and what it means for the future of the X-Men. The composer:- Marco Beltrami is known for finding a unique approach to scoring in each of his films. For the film “Scream”, he threw away conventional horror music clichés and instead called upon his concert music roots to explore a new sonic landscape. For “The Homesman” Beltrami constructed his own instruments that would meld the archaic and new. The creations were as tiny as a refitted lap steel guitar to giant, cross-ranch cables that could pick up wind and translate it into a haunting glow. Subsequently, his resume has expanded to include films ranging from epic drama to dark comedy. Beltrami has been nominated twice for Academy Awards for Best Score, “3:10 to Yuma” (2007) and “The Hurt Locker” (2008). His most recent works include “Fantastic Four”, “Ben Hur”, “Hellboy”.