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Poldowski | Art Songs

Angelique Zuluaga (soprano), Gwendolyn Mok (piano), Ryan Zwahlen (oboe d’amore)

Alexander String Quartet

Poldowski | Art Songs
Gwendolyn Mok’s piano playing is sympathetic and strongly characterised, and both the Alexander Quartet and, in Soir, Ryan Zwahlen’s oboe d’amore do the composer proud

Poldowski | Art Songs

Angelique Zuluaga (soprano), Gwendolyn Mok (piano), Ryan Zwahlen (oboe d’amore)

Alexander String Quartet

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Gwendolyn Mok’s piano playing is sympathetic and strongly characterised, and both the Alexander Quartet and, in Soir, Ryan Zwahlen’s oboe d’amore do the composer proud

About

“ … (an) exquisite and expressive voice, capable of a wide dynamic range from the most delicate sotto voce pianissimos to full-voiced fortissimo coloratura passages.” -- Monterey Herald

Poldowski was the pseudonym of Lady Dean Paul, born (in Belgium) Irène Régine Wieniawska, youngest daughter of the celebrated Polish violinist and composer Henryk Wieniawski. Beginning in 1900, she became firmly established in London as a pianist and composer, and enjoyed success in major cities on both sides of the Atlantic.

The 26 art songs heard here, four of which are world premiere recordings, eloquently attest to Poldowski’s remarkable originality and facility as a composer — revealing a range of color, mood and emotion that make listeners wonder why these beautifully crafted gems ever fell into obscurity.

Soprano Angelique Zuluaga’s rich, dark-hued voice and supremely sensitive interpretations plus pianist Gwendolyn Mok’s superb collaborations (and those of the Alexander String Quartet and oboe d‘amore master Ryan Zwahlen) combine to create irresistible renditions of music that is ripe for rediscovery.

Contents and tracklist

No. 4, En sourdine
Track length3:23

Awards and reviews

September 2017

Gwendolyn Mok’s piano playing is sympathetic and strongly characterised, and both the Alexander Quartet and, in Soir, Ryan Zwahlen’s oboe d’amore do the composer proud

September 2017

The recording is first class and the presentation is a model of its kind with an illuminating essay by David Mooney. Lovers of French melodies will be delighted to hear this disc and I urge readers with even just a tiny bit of interest in musical byways to give the disc a try. You will be richly rewarded.
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