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Puccini: Complete Songs for Soprano and Piano

Krassimira Stoyanova (soprano), Maria Prinz (piano)

Puccini: Complete Songs for Soprano and Piano
This collection of songs is valuable in many ways, not least to find out how many melodic motives later were recycled and developed in Puccini’s operas. Krassimira Stoyanova has a grand voice,...

Puccini: Complete Songs for Soprano and Piano

Krassimira Stoyanova (soprano), Maria Prinz (piano)

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This collection of songs is valuable in many ways, not least to find out how many melodic motives later were recycled and developed in Puccini’s operas. Krassimira Stoyanova has a grand voice,...

About

Through Puccini represents the late-Romantic apex of the Italian operatic tradition, his songs are much less well known and, in their pared simplicity and emotional restraint, could hardly be more different from his stage works. The nineteen complete songs for soprano (two in duet with a mezzo) and piano cover themes typical of lyric poetry including life, death, personal resolution, love, nature, home and religious faith. There are also rare salon pieces and examples of Puccini's secular juvenilia, written between 1875 and 1880.

Contents and tracklist

Awards and reviews

May 2017

This collection of songs is valuable in many ways, not least to find out how many melodic motives later were recycled and developed in Puccini’s operas. Krassimira Stoyanova has a grand voice, vibrant, beautiful and expressive and she easily scales it down to the dimensions suitable for the simpler songs but used with impressive power and intensity for the more operatic items.

Opera Now April 2017

Her disc of Puccini songs demonstrates why she's amongst the most sought-after sopranos of the day. Stoyanova's voice has a cool, almost instrumental quality, which then bursts into a surprisingly rich and warm sound when she unleashes it, but always with a sense of control...Stoynova sails through it in glorious voice and Maria Prinz's accompaniment is as equally accomplished. For lovers of good singing.
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