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Carlo Francesco Cesarini: Cantatas

World Premiere Recordings

Stéphanie Varnerin (soprano)

L'Astrée, Giorgio Tabacco

Carlo Francesco Cesarini: Cantatas
really characterful; a real surprise for me, I’m very glad I came across this disc … she [Varnerin] has a lovely, light voice… when she gets to the wordy passages and angry bits she’s fantastic,...

Carlo Francesco Cesarini: Cantatas

World Premiere Recordings

Stéphanie Varnerin (soprano)

L'Astrée, Giorgio Tabacco

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
really characterful; a real surprise for me, I’m very glad I came across this disc … she [Varnerin] has a lovely, light voice… when she gets to the wordy passages and angry bits she’s fantastic,...

About

This album marks the rediscovery of one of the most important composers of the Italian Baroque: Carlo Francesco Cesarini (1666-1741?), a virtuoso violinist also known as Carlo del Violino. The six previously unreleased cantatas on this recording were composed in the early 18th century and regularly performed between 1700 and 1717. They are all taken from Manuscript 2248 of the Biblioteca Casanatense in Rome, a rich anthological collection assembled for Cardinal Pamphili, a major figure in Roman cultural life. The themes treated are in the pure Arcadian-pastoral tradition: the suffering caused by an unreciprocated love (Penso di non mirarvi), betrayal and distance from the loved one (Oh dell’Adria reina), jealousy (Filli no’l niego io dissi). Two of the cantatas are based on mythological episodes: Ariadne for 'Già gl’augelli canori', and Phaeton for 'Fetonte e non ti basta'. This major rediscovery is sublimated by the divine Stéphanie Varnerin and L'Astrée (Academia Montis Regalis), in the expert hands of Giorgio Tabacco, enhanced by the famous Aparté recording quality that will delight the most demanding audiophile.

Contents and tracklist

I. Introduzione
Track length0:53
II. Canzone
Track length2:12
III. Recitativo "Filli, no'l niego, io dissi"
Track length0:50
IV. Aria "Compatitemi, sono infermo"
Track length2:02
V. Recitativo "Un Mongibello è il petto"
Track length0:57
VI. Aria "E di Tantalo i sospiri"
Track length2:17
VII. Recitativo "Pur se fallo in amoe à l'amar poco"
Track length0:52
VIII. Aria "È il moi timore"
Track length1:55
I. Recitativo "Già gl'augelli canori"
Track length1:48
II. Aria "Dove infido e dove vai?"
Track length2:17
III. Recitativo "Ah, perfido, tu fuggi e qui mi lasci"
Track length1:14
IV. Aria "Austri terriblili"
Track length2:59
V. Recitativo "Eppur vorrai lasciarmi"
Track length1:40
VI. Aria: "Aure, voiche in mezzo al mare"
Track length2:06
I. Recitativo "Fetonte, e non ti basta"
Track length0:42
II. Aria "Suole il padre, con saggio consiglio"
Track length3:15
III. Recitativo "Tu giovinetto in su l'april degl'anni"
Track length1:10
IV. Aria "Se per l'onda d'Acheronte
Track length2:04
V. Recitativo "Disse il Sol, ma Fetonte"
Track length0:23
VI. Aria "Fa l'amre un lieve danno"
Track length3:22
I. Aria "Penso di non mirarvi"
Track length3:37
II. Recitativo "Chi cieco nelle fasce"
Track length1:48
III. Aria "Ah, non avessi mai"
Track length2:52
IV. Recitativo "Addio Roma, ddio Tebro, addio mia Clori"
Track length1:39
V. Quel che di me sarà
Track length2:05
I. Aria "V'è una bella tutta ingegno"
Track length1:55
II. Recitativo "Veste mille sembianze"
Track length0:47
III. Aria "O guardi o scherzi o rida"
Track length1:21
IV. Recitativo "Degl'altri amanti il duolo"
Track length0:49
V. Aria "Non bastava a colmarmi di pene"
Track length2:42
I. Introduzione
Track length0:53
II. Canzone
Track length2:01
III. Recitativo "Oh dell'Adria reina"
Track length0:49
IV. Aria "Era l'ora che l'aurora"
Track length3:09
V. Recitativo "Movea quel crine il vento e il nuovo sol"
Track length0:27
VI. Aria "So che giammai"
Track length3:47
VII. Recitativo "Se preme il pellegrino"
Track length1:30
VIII. Aria "Fuggiete amanti"
Track length1:48

Awards and reviews

Record Review 21st January 2017

really characterful; a real surprise for me, I’m very glad I came across this disc … she [Varnerin] has a lovely, light voice… when she gets to the wordy passages and angry bits she’s fantastic, she really grabs it
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