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Special offer. Kodály & Dohnányi: Chamber Works for Strings

Simon Smith (violin), Clare Hayes (violin), Paul Silverthorne (viola) & Katherine Jenkinson (cello)

Kodály & Dohnányi: Chamber Works for Strings
Lively refined performances of two significant 20th century Hungarians.

Special offer. Kodály & Dohnányi: Chamber Works for Strings

Simon Smith (violin), Clare Hayes (violin), Paul Silverthorne (viola) & Katherine Jenkinson (cello)

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Lively refined performances of two significant 20th century Hungarians.

About

Following on from his acclaimed Resonus debut of solo works by Bartók and Kurtág (Signs, Games & Messages – RES10167), virtuoso violinist Simon Smith returns to the label with an enticing programme of chamber works for strings by Zoltán Kodály and Ernő Dohnányi.

Joined by colleagues Clare Hayes (violin), Paul Silverthorne (viola) & Katherine Jenkinson (‘cello), Smith presents three seminal chamber works from the first half of the twentieth century, performed with considerable élan by this exceptional collaboratio

Contents and tracklist

I. Allegro serioso, non troppo
Track length8:24
II. Adagio
Track length9:01
III. Maestoso e largamente, ma non troppo lento
Track length9:07
I. Allegramente
Track length4:43
II. Lento, ma non troppo
Track length7:19
III. Vivo
Track length9:52
I. Marcia
Track length2:13
II. Romanza
Track length3:57
III. Scherzo
Track length4:42
IV. Tema con variazioni
Track length6:23
V. Rondo. Finale
Track length4:31

Awards and reviews

March 2017

Lively refined performances of two significant 20th century Hungarians.

June 2017

The three works on this album are truly wonderful and should be better known. It is good to have them placed side by side, and this is a fine presentation of all three. The four musicians from London do not form a “named” ensemble, yet they play like a long-established group, with good synergy and well-measured intonations. The instruments have beautiful voices and blend very naturally.

15th January 2017

the texture [of the Serenade] is light and airy but the sonority rich and inventive, despite the lack of a conventional lower register...[the Dohnányi] is rooted more in the Brahmsian tradition, though Hungarian passion keeps bubbling to the surface.

Classical Music March 2017

A generous and well recorded programme of 20th century Hungarian chamber works.
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