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Tchaikovsky: Ballet Suites (transcribed for Piano Duo)

Mari Kodama (piano) & Momo Kodama (piano)

The Sugar Plum Fairy sounds as delicate on piano as for the celesta or the original orchestration, and the delicious Pas de deux loses nothing in translation...An enjoyable way to encounter...

Tchaikovsky: Ballet Suites (transcribed for Piano Duo)

Mari Kodama (piano) & Momo Kodama (piano)

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The Sugar Plum Fairy sounds as delicate on piano as for the celesta or the original orchestration, and the delicious Pas de deux loses nothing in translation...An enjoyable way to encounter...

About

Together for the first time in the recording studio, the sisters Mari and Momo Kodama are on scintillating form in these lively arrangements of music from Tchaikovsky’s ballets Swan Lake, Sleeping Beauty and Nutcracker. In another first, the release contains the first ever recording of Arensky’s transcription of the timeless Nutcracker together with notable arrangements by Debussy and Rachmaninov.

“Tchaikovsky was really the first composer to combine a broad sweep of ballet music with a great story,” the Kodama sisters write in their introduction to the release, “before that, it more resembled a compilation of pieces…in all three works there is folkloric and popular music. He has the great skill to make such vivid colours and textures on a large canvas… This makes his orchestral works very special.” “Our challenge was to use just two pianos … to bring the same sense of scale,” they write, “with just two pianos the atmosphere is more intimate, it brings a different quality to the music. And the composers who made the transcriptions brought their own personality to bear on the works. So we tried to reflect that in our playing.”

The sisters Mari and Momo Kodama both pursue busy international careers. Momo specialises in French and Japanese composers and 20th century and contemporary composers; she has been widely praised for her ‘attractive, lyrical tone’ and ‘technical brilliance’. Mari has established an international reputation for profound musicality and articulate virtuosity; she has recorded extensively for PENATONE, including an acclaimed cycle of the complete Beethoven piano sonatas.

Contents and tracklist

I. Introduction - La Fée des Lilas
Track length4:51
II. Adagio. Pas d'action
Track length4:44
III. Pas de caractère. Le chat botté
Track length1:57
IV. Panorama
Track length2:20
V. Valse
Track length4:05
No. 1, Ouverture
Track length3:04
No. 2a, Marche
Track length2:22
No. 2b, Danse de la Fée-Dragée
Track length1:58
No. 2c, Le café
Track length3:22
No. 2d, Le thé
Track length1:08
No. 2e, Dance russe [Trepak]
Track length1:03
No. 2f, Danse des mirlitons
Track length2:24
No. 3a, Valse des Fleurs
Track length6:02
No. 3b, Pas de deux
Track length5:19
Scène
Track length3:02
Danses des cygnes
Track length1:28
Scène (II)
Track length5:03
Danse russe
Track length4:18
Danse espagnole
Track length2:40
Danse napolitaine
Track length2:07

Awards and reviews

8th January 2017

The Sugar Plum Fairy sounds as delicate on piano as for the celesta or the original orchestration, and the delicious Pas de deux loses nothing in translation...An enjoyable way to encounter these scores.
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