Mahler: Symphony No. 10 in F sharp major
International Mahler Orchestra, Yoel Gamzou
Awards:
-
ECHO Klassik Awards, 2017, Winner
Worth hearing, but no real challenge to earlier recensions of Mahler’s sketches
Mahler: Symphony No. 10 in F sharp major
International Mahler Orchestra, Yoel Gamzou
Purchase product
Awards:
-
ECHO Klassik Awards, 2017, Winner
Worth hearing, but no real challenge to earlier recensions of Mahler’s sketches
About
Gustav Mahler’s Symphony no.10 is the last and only unfinished symphony in his complete oeuvre. On 5 September 1910 Mahler wrote his last notes: exactly 100 years later, the 23-year-old conductor and composer Yoel Gamzou presented with great success his new reconstruction of this extraordinary work. The world première with the International Mahler Orchestra took place at the Ryckestrasse synagogue in Berlin as part of the Jewish Cultural Days 2010.
Yoel Gamzou first came in contact with the Adagio from Mahler’s unfinished 10th Symphony when he was about 12 or 13 years old, whilst fishing curiously amidst a jungle of books and scores in a local library.
“Already at first glance, it was obvious to me that this symphony has – or indeed would have had, considering it was almost lost and forgotten for decades – a unique meaning in musical history. When I discovered that it was only the first movement of a large unfinished symphony, I instantly started investigating.
I became indescribably fascinated and intrigued, in fact hypnotized, by the sheer magnitude of meaning and content hiding within this manuscript. It was immediately clear to me that the piece was entirely thought-through and that the meaning behind this hurried testament was an almost unbearably painful albeit thoroughly planned legacy. It seemed like the sketch was staring at me demanding to be heard, like a message in a bottle that hasn't really been found, let alone entirely understood, for almost a century.” Yoel Gamzou
Contents and tracklist
- International Mahler Orchestra
- Yoel Gamzou
Awards and reviews
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ECHO Klassik Awards2017Winner
Christmas 2016
Worth hearing, but no real challenge to earlier recensions of Mahler’s sketches
November 2016
Fine sound courtesy of Dabringhaus und Grimm in Berlin’s Philharmonie. The playing of Gamzou’s own international band is heartfelt, enthusiastic, not invariably tidy
24th October 2016
Every serious Mahlerian will want to hear this.
18th September 2016
Gamzou’s “realisation and elaboration” of Mahler’s 10th is self-avowedly more reliant on instinct than on meticulous scholarship. Less ethereal and more given to opulent textures than the commonly performed text by Deryck Cooke, it sounds like the impressively bold work of someone gifted yet young.
31st August 2016
though what Gamzou has done may sometimes seem superfluous, it never traduces the spirit of Mahler’s original...Mahlerians will certainly want to hear what this all adds up to, even though they will probably revert to their own favourite performances of the Cooke version afterwards.
