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Copland: Appalachian Spring & Hear Ye! Hear Ye!
Detroit Symphony Orchestra, Leonard Slatkin
Copland: Appalachian Spring & Hear Ye! Hear Ye!
Detroit Symphony Orchestra, Leonard Slatkin
Purchase product
Leonard Slatkin and his Detroit Symphony Orchestra negotiate all this brightly and efficiently.
About
Aaron Copland wrote his rarely-heard ballet Hear Ye! Hear Ye! for Ruth Page, the dancer and choreographer who was to become the Grande Dame of American ballet. Its scenario is a murder in a nightclub and the ensuing trial in a Chicago courtroom. Copland infused the score with the spirit of his jazz-influenced pieces, controversially distorting part of the National Anthem, and infiltrating music from some of his earlier works. In complete contrast, Appalachian Spring is his most famous work, a true American masterpiece founded on transfigured dance tunes and song melodies. This is volume two of the Complete Ballet series. Volume One is on 8559758.
Leonard Slatkin is Music Director of the Detroit Symphony Orchestra (DSO) and the Orchestre National de Lyon (ONL). He also maintains a rigorous schedule of guest conducting throughout the world and is active as a composer, author, and educator. Slatkin’s more than a hundred recordings have received seven Grammy awards and 64 nominations. His Naxos recordings include works by Saint-Saëns, Ravel, and Berlioz (with the ONL) and music by Copland, Rachmaninov, Borzova, McTee, and John Williams (with the DSO).
Contents and tracklist
- Detroit Symphony Orchestra
- Leonard Slatkin
- Recorded: 14-18 May 2014
- Recording Venue: Orchestra Hall, Max M. and Marjorie S. Fisher Music Center, Detroit, United States
Awards and reviews
December 2016
Leonard Slatkin and his Detroit Symphony Orchestra negotiate all this brightly and efficiently.
December 2016
Slatkin’s new interpretation is vigorous and communicative, and the playing is distinguished too
14th February 2017
A splendid disc that all Copland devotees should try to hear.
Music Week October 2016
A worthy companion to Andrew Litton’s Colorado Copland; augurs well for the rest of this series.
Classical Ear October 2016
immensely spirited...not only is the playing polished, lithe and dedicated, his unhurried conception again displays all the poetry, spontaneity and fresh-faced wonder one could desire (the magically soft closing pages are deeply touching). Even the slightly dry acoustic of Detroit's Orchestra Hall is aptly reminiscent of the theatre pit. An excellent coupling.
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