Name: Duo Sessions: Julia Fischer & Daniel Müller-Schott
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Duo Sessions: Julia Fischer & Daniel Müller-Schott

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There’s plenty to enjoy here — Gramophone Magazine, September 2016 More…

Release Date: 9th Sep 2016
Catalogue No: C902161A
Label: Orfeo
Length: 64 minutes

BBC Music Magazine

November 2016

Chamber Choice
International Classical Music Awards

2017

Winner - Chamber Music

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Kodály: Duo for Violin and Cello, Op. 7

Work length23:57

$6.00

$7.80

$10.50

Julia Fischer (violin), Daniel Müller-Schott (cello)
Recorded: 23-24 September 2014
Recording Venue: Bavarian radio, Studio 1, Munich, Germany

I. Allegro serioso, non troppo

Track length8:03

$2.00

$2.60

$3.50

II. Adagio

Track length7:32

$2.00

$2.60

$3.50

III. Maestoso e largamente, ma non troppo lento

Track length8:22

$2.00

$2.60

$3.50

Schulhoff: Duo for violin & cello

Work length15:17

$4.00

$5.20

$7.00

Julia Fischer (violin), Daniel Müller-Schott (cello)
Recorded: 23-24 September 2014
Recording Venue: Bavarian radio, Studio 1, Munich, Germany

I. Moderato

Track length4:56

$1.00

$1.30

$1.75

II. Zingaresca: Allegro giocoso

Track length3:06

$1.00

$1.30

$1.75

III. Andantino

Track length4:07

$1.00

$1.30

$1.75

IV. Moderato

Track length3:08

$1.00

$1.30

$1.75

Ravel: Sonata for Violin & Cello

Work length19:23

$4.00

$5.20

$7.00

Julia Fischer (violin), Daniel Müller-Schott (cello)
Recorded: 23-24 September 2014
Recording Venue: Bavarian radio, Studio 1, Munich, Germany

I. Allegro

Track length5:02

$1.00

$1.30

$1.75

II. Tres vif

Track length3:12

$1.00

$1.30

$1.75

III. Lent

Track length5:10

$1.00

$1.30

$1.75

IV. Vif, avec entrain

Track length5:59

$1.00

$1.30

$1.75

Halvorsen: Passacaglia for Violin & Cello / Viola (after Handel)

Work length5:59

$1.00

$1.30

$1.75

Julia Fischer (violin), Daniel Müller-Schott (cello)
Recorded: 23-24 September 2014
Recording Venue: Bavarian radio, Studio 1, Munich, Germany

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The works heard in this programme – some of the most important works written for violin and cello – were written surprisingly late, some of them a decade or more after the dawn of the Modern era: Kodály 1914; Ravel 1922; Schulhoff 1925. Although these three works can scarcely be regarded as avant-garde for their time, at least where their tonality is concerned, a new spirit is in the air: a freely ranging search on all levels for new forms and means of expression, coupled with a love of experimentation with extremely sparse scoring. It is also noteworthy that all three works succeed in their own way in reflecting a national character in their musical idiom. Ravel offers typical trompe-l’oreille subtlety while retaining immaculately groomed French elegance; Kodály writes against a background of ethnological research in folk music; Schulhoff stands out for the way he experiments with complex combinations of rhythms.

However, the pioneering work in a distinctive violin-cello repertoire was surely written a generation earlier: Brahms’s concerto for this ‘eight-stringed giant’ of 1887. It was a performance of his work that brought Julia Fischer and Daniel Müller-Schott together on the concert platform for the first time. In fact, both artists wish this CD release to represent a record of their work together as a duo over the past ten years and more, as the pair explain in an extended conversation with Meret Forster printed in the accompanying booklet. It is already the case that performances of the Brahms Double Concerto by Fischer and Müller-Schott now almost inevitably lead the audience to expect the immortal Handel-Halvorsen Passacaglia of 1894 – a demand that is gladly met. This congenial enlargement by the Norwegian violinist and composer Johan Halvorsen (1864-1935) of a passacaglia from a Handel suite for harpsichord exists in various pairings of violin, viola and cello. It accentuates the infectious vigour of the original in a remarkably clever manner by its highly challenging but idiomatic transposition to two quite differently characterized and mutually supportive instruments.

Reviews

September 2016

There’s plenty to enjoy here

9th December 2016

A superbly performed programme of 20th century duos for violin and cello.

31th July 2016

They share an easy rapport, they revel in the gypsy influences that pervade, especially, Kodaly’s work...This is gritty music played with a probing intensity and a spectrum of colour, the players equal to all the challenges the composers throw at them.

27th July 2016

they play [the Ravel and the Kodály] with such energy, engagement and virtuoso precision that there’s never any hint of overfamiliarity; in both works, every detail of the extremely demanding string writing is carefully etched, and captured with tingling immediacy in the recording.

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