Stravinsky: Choral Works
Ruby Hughes (soprano) & Nicholas Mulroy (tenor)
Choir of St Mary’s Cathedral, Edinburgh & Scottish Chamber Orchestra Soloists, Duncan Ferguson
Awards:
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Building a Library, November 2018, Recommended - Liturgical
Edinburgh's mixed cathedral choir bring vernal freshness to the cantata.
Stravinsky: Choral Works
Ruby Hughes (soprano) & Nicholas Mulroy (tenor)
Choir of St Mary’s Cathedral, Edinburgh & Scottish Chamber Orchestra Soloists, Duncan Ferguson
Purchase product
Awards:
-
Building a Library, November 2018, Recommended - Liturgical
Edinburgh's mixed cathedral choir bring vernal freshness to the cantata.
About
Since taking the helm of the St Mary’s choir in Edinburgh, Duncan Ferguson has directed them in four composer-led recording projects – featuring Taverner, John Sheppard, Bruckner and Gabriel Jackson. Every one of these discs has attracted editors’ choices from one or more specialist classical magazines. Now, in Ferguson’s most ambitious project to date, the choir are joined by players from the Scottish Chamber Orchestra and vocal soloists Ruby Hughes and Nicholas Mulroy to record major works by the twentieth century’s most influential composer. The choir rarely get to perform Stravinsky’s Mass in its full version with wind instruments accompanying rather than organ (‘We love it!’ proclaimed the choristers), while a performance of the Cantata with cathedral choristers rather than an adult choir is rare indeed. Also included are Stravinsky’s ‘completions’ of three cantiones sacrae by Gesualdo; their weird contrapuntal twists and turns are relished by this intelligent, committed choir, and provide a stark contrast to the austere simplicity of Stravinsky’s own short sacred choruses. Gabriel Jackson provides the illuminating accompanying essay.
Contents and tracklist
- Michael Wood (alto), Jacob Slater (treble), Sam Jenkins (tenor), Colin Murray (bass)
- Choir of St Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists
- Duncan Ferguson
- Recorded: 9-11, 29 February - 1-2 March 2016
- Recording Venue: Greyfriars Tolbooth and Highland Kirk, Scotland, United Kingdom
- Choir of St Mary's Cathedral, Edinburgh
- Duncan Ferguson
- Recorded: 9-11, 29 February - 1-2 March 2016
- Recording Venue: Greyfriars Tolbooth and Highland Kirk, Scotland, United Kingdom
- Choir of St Mary's Cathedral, Edinburgh
- Duncan Ferguson
- Recorded: 9-11, 29 February - 1-2 March 2016
- Recording Venue: Greyfriars Tolbooth and Highland Kirk, Scotland, United Kingdom
- Choir of St Mary's Cathedral, Edinburgh
- Duncan Ferguson
- Recorded: 9-11, 29 February - 1-2 March 2016
- Recording Venue: Greyfriars Tolbooth and Highland Kirk, Scotland, United Kingdom
- Ruby Hughes (soprano), Nicholas Mulroy (tenor)
- Choir of St Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists
- Duncan Ferguson
- Recorded: 9-11, 29 February - 1-2 March 2016
- Recording Venue: Greyfriars Tolbooth and Highland Kirk, Scotland, United Kingdom
- Choir of St Mary's Cathedral, Edinburgh
- Duncan Ferguson
- Recorded: 9-11, 29 February - 1-2 March 2016
- Recording Venue: Greyfriars Tolbooth and Highland Kirk, Scotland, United Kingdom
Spotlight on this release
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Awards and reviews
August 2016
Edinburgh's mixed cathedral choir bring vernal freshness to the cantata.
September 2016
The choir sounds fresh and lively, thoroughly relishing Stravinsky’s angular vocal writing, while the SCO Soloists are no less engaged. Ferguson finds exactly the right tempi and a slightly detached level of expression…he is fortunate to have two fine soloists in Ruby Hughes and Nicholas Mulroy for Cantata…to round off their satisfying programme, Ferguson and his Edinburgh choir give an exemplary account of Tres sacrae cantiones…highly recommended.
October 2016
Beautifully sung and blessed with outstandingly vivid recorded sound. We are brought close to the performers in an attractively resonant space, the best of both worlds for religious or quasi-religious fare in which clarity matters as much as atmosphere.
21st August 2016
This disc shows off a choir of distinction. Their fresh, youthful sound (there are girl as well as boy choristers) lends colour to the studious dourness of Stravinsky’s deliberately monochrome Mass (1948) and Cantata (1952) on medieval English texts.
Mail on Sunday September 2016
The Choir of St Mary’s Cathedral, Edinburgh, give a youthful spin on the monochrome Mass.
September 2016
The real pleasure is in the choral sound, the Edinburgh boys alternately euphonious and pungent... Essential listening, good sleeve art and handsomely recorded.
