Schumann: Letzter Gedanke

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Release Date: 24th Jun 2016
Catalogue No: LH14
Label: Herissons
Length: 80 minutes

Schumann: Sechs Stücke in kanonischer Form (Studien für den Pedalflügel), Op. 56

Work length18:27

$6.00

$8.40

Mathieu Dupouy, Soo Park

I. Nicht zu schnell

Track length2:03

$1.00

$1.40

II. Mit innigem Ausdruck

Track length4:32

$1.00

$1.40

III. Andantino. Etwas schneller

Track length1:44

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$1.40

IV. Innig

Track length3:58

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$1.40

V. Nicht zu schnell

Track length2:23

$1.00

$1.40

VI. Adagio

Track length3:47

$1.00

$1.40

Schumann: Waldszenen, Op. 82

Work length22:21

$9.00

$12.60

Soo Park

I. Eintritt

Track length2:11

$1.00

$1.40

II. Jäger auf der Lauer

Track length1:31

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$1.40

III. Einsame Blumen

Track length2:03

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IV. Verrufene Stelle

Track length3:19

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V. Freundliche Landschaft

Track length1:15

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VI. Herberge

Track length2:01

$1.00

$1.40

VII. Vogel als Prophet

Track length3:38

$1.00

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VIII. Jagdlied

Track length2:35

$1.00

$1.40

IX. Abschied

Track length3:48

$1.00

$1.40

Schumann: Fantasiestücke, Op. 111

Work length12:06

$3.00

$4.20

Soo Park

I. Sehr rasch ,mit leidenschaftlichem Vortrag

Track length2:37

$1.00

$1.40

II. Ziemlich langsam

Track length5:12

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$1.40

III. Kräftig und sehr markiert

Track length4:17

$1.00

$1.40

Schumann: Gesänge der Frühe (5), Op. 133

Work length14:13

$5.00

$7.00

Soo Park

I. Im ruhigen Tempo

Track length2:57

$1.00

$1.40

II. Belebt,nicht zu rasch

Track length2:40

$1.00

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III. Lebhaft

Track length2:28

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IV. Bewegt

Track length3:06

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V. Im Anfange ruhiges, im Verlauf bewegteres Tempo

Track length3:02

$1.00

$1.40

Schumann: Thema mit Variationen, Anh. F39 "Geistervariationen"

Work length13:10

$6.00

$8.40

Soo Park

I. Thema. Leise, innig

Track length2:15

$1.00

$1.40

II. Variation I

Track length1:56

$1.00

$1.40

III. Variation II. Canonisch

Track length2:17

$1.00

$1.40

IV. Variation III. Etwas belebter

Track length2:01

$1.00

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V. Variation IV

Track length2:20

$1.00

$1.40

VI. Variation V

Track length2:21

$1.00

$1.40

About
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About

Robert Schumann is one of a number of 19th century artists whose creativity was dogged by mental illness. Others included Hölderlin, Nerval, Maupassant, Nietzsche, Wolf... In the case of Schumann, the works he wrote at the end of his life have particularly suffered from being seen solely through this prism, which has only served to cloud perceptions of them. Madness in no way helps us understand Schumann’s late style. On the contrary, it creates a barrier to understanding by focusing our attention on biographical considerations to the detriment of the works themselves. The problem is that it was not Schuman the composer who was mad, but Schumann the man.

For Schumann, 1845 was the year of Fugenpassion. He became passionately interested in counterpoint, resulting in a new language: Schumann’s late style. The late style of great composers has always provoked ambivalent reactions, between fascination and incomprehension. In the case of Schumann, his late style has only been re-evaluated very recently. What are its characteristics? The implacable logic of counterpoint, disdain for convention, the perfume of eternity and retreat from the world... The style had no real immediate heirs. Rather than Brahms, it is in Bill Evans that certain of his harmonies can be detected…

Schumann: Letzter Gedanke

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