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Schumann: Piano Trios Nos. 1 & 2

Trio Karénine

Schumann: Piano Trios Nos. 1 & 2
The Second Trio suits [the Karénine] particularly well. They capture the upward-surging opening of the first movement and the thrilling élan of its close…the turbulent First Trio is also full...

Schumann: Piano Trios Nos. 1 & 2

Trio Karénine

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This release includes a digital booklet

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The Second Trio suits [the Karénine] particularly well. They capture the upward-surging opening of the first movement and the thrilling élan of its close…the turbulent First Trio is also full...

About

Is choosing Schumann for a first recording bold to the point of folly? Not if the choice corresponds to a genuine passion. Schumann was passion personified but also rapture and impetuosity. Nothing touched him more than the enthusiasm of young musicians and the ardent commitment of the young Trio Karénine, in their debut cd for Mirare, may well have won his approval.

Winner of the ARD international Competition in 2013 – at which the Trio Karénine was awarded top prize and several special prizes - the trio has chosen to bear the name of Tolstoy’s heroine for the vital impulse that she represents. The ensemble studied with charismatic chamber music artists, such as the Ysaÿe Quartet, Menahem Pressler, Jean-Claude Pennetier and the Trio Wanderer.

Contents and tracklist

I. Mit Energie und Leidenschaft
Track length12:03
II. Lebhaft, doch nicht zu rasch
Track length4:44
III. Langsam, mit inniger Empfindung - Bewegter - Tempo I - attacca
Track length5:33
IV. Mit Feuer - Nach und nach schneller
Track length8:10
I. Sehr lebhaft
Track length7:41
II. Mit innigem Ausdruck - Lebhaft
Track length7:39
III. In mässiger Bewegung
Track length5:14
IV. Nicht zu rasch
Track length5:44

Spotlight on this release

Awards and reviews

June 2016

The Second Trio suits [the Karénine] particularly well. They capture the upward-surging opening of the first movement and the thrilling élan of its close…the turbulent First Trio is also full of good things…[and they] convey the energy of the finale with great immediacy, combining a sense of freshness with a deep-seated understanding of Schumann’s world. A most impressive debut
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