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Rimsky Korsakov: Symphonies Nos. 1 & 3

Berlin Radio Symphony Orchestra, Gerard Schwarz

Naxos provides a beefy Berlin sound, with weighty strings and imposing brass…the Scherzo has a fine swagger to it, building a good head of steam…the Third Symphony is alive with melodic ideas,...

Rimsky Korsakov: Symphonies Nos. 1 & 3

Berlin Radio Symphony Orchestra, Gerard Schwarz

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Naxos provides a beefy Berlin sound, with weighty strings and imposing brass…the Scherzo has a fine swagger to it, building a good head of steam…the Third Symphony is alive with melodic ideas,...

About

Begun when he was a seventeen-year-old naval cadet, Rimsky-Korsakov’s Symphony No. 1 was hailed by the nationalist group ‘The Five’ as the first truly Russian symphony, in contrast with the German-influenced music of Anton Rubinstein. With its use of Russian folk-songs, this is a work of remarkable natural talent, justifying the early enthusiasm of Balakirev. Symphony No. 3, cast in a thoroughly Russian musical language, is notable not only for its significantly enhanced technical competence but for its great rhythmic vitality and subtle orchestration.

Contents and tracklist

I. Largo assai - Allegro
Track length7:43
II. Andante tranquillo
Track length7:14
III. Scherzo. Vivace
Track length4:36
IV. Allegro assai
Track length6:08
I. Moderato assai - Allegro
Track length13:34
II. Scherzo. Vivo
Track length6:13
III. Andante
Track length6:52
IV. Allegro con spirito
Track length6:02

Awards and reviews

June 2016

Naxos provides a beefy Berlin sound, with weighty strings and imposing brass…the Scherzo has a fine swagger to it, building a good head of steam…the Third Symphony is alive with melodic ideas, opening in good-natured C major. Clarinet teases and flute and solo violin intertwine sinuously…and the symphony ends ebulliently…[this recording] should win new friend for these amiable works

17th April 2016

The Berlin Radio Symphony Orchestra enjoys all its folk song influences in this engaging recording of Rimsky’s later revision of the [First Symphony]...[in the Third] he displayed his mastery of orchestral colour, brought vividly to life here in the Scherzo and in the closing Allegro con spirito, with Gerard Schwarz in total command.
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