Evocación del Viejo Madrid

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Release Date: 8th Jan 2016
Catalogue No: IBS22015
Label: IBS Classical
Length: 61 minutes

Usually despatched in 3 - 4 working days

Blanco, E F: Piano Trio in C major

Work length8:40

$3.00

$3.90

Trío Arbós

I. Allegremente vivo e molto ritmico

Track length2:39

$1.00

$1.30

II. Moderato

Track length4:32

$1.00

$1.30

III. Allegremente vivo e molto ritmico

Track length1:29

$1.00

$1.30

Pompey: Manolas Y Chisperos (Evocación Del Viejo Madrid)

Work length34:20

$8.00

$10.35

Trío Arbós

I. Moderato

Track length11:21

$3.00

$3.85

II. Allegretto. Tiempo de Bolero

Track length6:06

$1.00

$1.30

III. Andantino. Intermedio

Track length4:05

$1.00

$1.30

IV. Allegretto. Tiempo de Seguidillas-Boleras

Track length5:15

$1.00

$1.30

V. Allegretto. Final

Track length7:33

$2.00

$2.60

Gombau: Trio in F sharp

Work length18:44

$4.00

$5.20

Trío Arbós

I. Andantino quasi allegretto

Track length5:18

$1.00

$1.30

II. Andante

Track length5:28

$1.00

$1.30

III. Allegro scherzando

Track length4:12

$1.00

$1.30

IV. Allegro assai

Track length3:46

$1.00

$1.30

About
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About

Presenting a group of Spanish composers born at the dawn of the twentieth century who, after suffering the terrible consequences of the civil war as their creative drive flowered, and the reprisals or contempt of a rancorous dictatorship whose cultural fruits were few and shabby, were relegated to an interminable oblivion which continues still.

The so-called “Generation of 27” (the musical rather than the literary generation) or the “Generation of the Republic” brought together a substantial group of composers with shared lines of style and thinking -- and all shared a wish to renew music in Spain.

This was a period where art bloomed - in the words of Gómez de la Serna, this was like a “Christmas Eve for Spanish music” – enhanced by the unprecedented interaction of artistic disciplines and the conflict of the successive Second Republic governments to normalise Spanish music policy in an all-embracing plan which, while never applied in full, at least sorted the country’s broken-down musical infrastructure. And in fact, the significant involvement of many of the composers of this generation in the music policy of the Second Republic, in organisational or management posts, also turned out to be their conflict to exile after the end of the civil war.

Evocación del Viejo Madrid

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