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Bruno Fontaine plays Erik Satie

Bruno Fontaine (piano)

“The performances…challenge the safe conformity, the curious predicatiblty that smooths the edges in so many Satie recitals…there is an improvisatory, mercurial air about much of the palying...

Bruno Fontaine plays Erik Satie

Bruno Fontaine (piano)

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“The performances…challenge the safe conformity, the curious predicatiblty that smooths the edges in so many Satie recitals…there is an improvisatory, mercurial air about much of the palying...

About

From behind his colourful glasses, seated in front of his piano, Bruno Fontaine usually seeks to go off the beaten track. But here he makes a fond tribute to Erik Satie through his eternal melodies in a programme that inclues the 'Gnossienes' and the infamous, hypnotic 'Gymnopedies'.

Having started playing the piano at four, Bruno Fontaine studied at the National Conservatory of Music in Paris where he graduated four years later, with five first prizes.

After a stay in the United States where he met Don Costa, arranger, and amongst others, Frank Sinatra, he started in 1984 a collaboration with American soprano Julia Migenes for whom he became the arranger and musical director, as he later did for Johnny Hallyday and Ute Lemper. His arrangements, compositions and film scores have won him nominations both for the Grammys and Caesars.

He pursues a parallel solo career as a pianist with such varied formations as the Ensemble orchestral de Paris, the Orchestre de la Suisse Romande, the Ysaye Quartet, Michel Portal, Ophélie Gaillard, Sonia Wieder-Atherton, Henri Demarquette…

Contents and tracklist

Gymnopédie No. 1
Track length3:24
Gymnopédie No. 2
Track length2:42
Gymnopédie No. 3
Track length2:32
I. Airs à faire fuir, D'une manière très particulière
Track length3:19
II. Airs à faire fuir, Modestement
Track length1:46
III. Airs à faire fuir, S'inviter
Track length3:05
IV. Danse de travers, En y regardant à deux fois
Track length1:43
V. Danse de travers, Passer
Track length1:12
VI. Danse de travers, Encore
Track length2:08
Choral No. 1 (Lent)
Track length1:10
Choral No. 2 (Avec étonnement)
Track length0:44
Choral No. 3 (Lent)
Track length0:40
Choral No. 4
Track length0:44
Choral No. 5
Track length0:34
Choral No. 6
Track length1:03
Choral No. 8
Track length0:35
Choral No. 9
Track length0:30
Choral No. 10
Track length0:46
Choral No. 11
Track length0:56
Choral No. 12
Track length0:58
I. Idylle
Track length1:03
II. Aubade
Track length1:13
III. Méditation
Track length0:48
Nocturne No. 1 (Doux et calme)
Track length3:47
Nocturne No. 2 (Simplement)
Track length2:23
Nocturne No. 3 (Un peu mouvementé)
Track length3:46
Nocturne No. 4
Track length2:27
Nocturne No. 5
Track length2:26
Gnossiennes No. 1
Track length3:37
Gnossiennes No. 2
Track length2:19
Gnossiennes No. 3
Track length3:07
Gnossiennes No. 4
Track length2:17
Gnossiennes No. 5
Track length3:41
Gnossiennes No. 6
Track length2:34
Gnossiennes No. 7
Track length4:57
I. Allegro
Track length1:02
II. Andante
Track length1:28
III. Vivache
Track length1:38

Awards and reviews

April 2016

“The performances…challenge the safe conformity, the curious predicatiblty that smooths the edges in so many Satie recitals…there is an improvisatory, mercurial air about much of the palying that is truly refreshing

CD Review 9th January 2016

His approach works incredibly well in a lot of the repertoire … there’s a great sense of fun … I really like it as a whole; I think if you want to access the magic and the mystery of the quirkiest Satie pieces, such as the Avant-dernières Pensées from the humoristic period then I highly recommend this.
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