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Ariane & Orphée

French Baroque Cantatas

Hasnaa Bennani (soprano) & Domitille Gilon (violin & direction)

Ensemble Stravaganza

Ariane & Orphée
The cantatas of Rameau and Courbois are certainly not part of the standard repertoire and recordings of such works are welcome.

Ariane & Orphée

French Baroque Cantatas

Hasnaa Bennani (soprano) & Domitille Gilon (violin & direction)

Ensemble Stravaganza

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The cantatas of Rameau and Courbois are certainly not part of the standard repertoire and recordings of such works are welcome.

About

This CD presents the destiny of women who are in love, deceived, abandoned, haunted by despair, and who struggle against fate, their passions and the men who have betrayed them. For example, the magnificent - and very little recorded - cantata 'Ariane' by Philippe Courbois explores the torments troubling the heart of King Minos’ daughter abandoned by Theseus; yet her sorrow will be of short duration since Bacchus discovers her as she sleeps and falls in love with her. Rameau’s 'Orphée' also depicts the myth of love, of adoration, of the fear of losing the loved one in the most celebrated love story in mythology: that of Orpheus and Eurydice. As for the famous court air by Michel Lambert,' Ombre de mon amant', it resonates as a veritable homage to Orpheus’ plaintive song!

A sonata by Elisabeth Jacquet de La Guerre is a bonus, with its mix of Italian and French styles, and the disc concludes with Marin Marais’ 'Chaconne', a depiction of Ariadne’s regained happiness! In the repertoire in which it specialises, the Stravaganza Ensemble accompanies the young soprano Hasnaa Bennani, in her first solo recording, [she appears on the recent Zaïs on Aparté] for the embodiment of these female destinies. For her first solo disc, she, who has been rightly sought after by most orchestras and opera houses, pulls off a masterstroke; her fresh, warm and luminous voice is ideal for this repertory.

Contents and tracklist

I. Récitatif. Par le charme vainqueur d’un chant harmonieux
Track length1:28
II. Air, très gai. Que du bruit de tes hauts exploits
Track length3:40
III. Récitatif. Mais son âme, sensible à la seule Eurydice
Track length0:33
IV. Air gracieux. J’ai pour témoin de ma victoire
Track length6:49
V. Récitatif. Inutiles regrets ! À sa douleur mortelle
Track length0:37
VI. Air gai. En amour, il est un moment
Track length4:16
I. [Grave]
Track length2:48
II. Presto I
Track length1:55
III. Adagio I
Track length1:01
IV. Presto II - Adagio II
Track length1:49
V. Presto III
Track length1:58
VI. Aria
Track length3:34
VII. Presto IV
Track length2:21
I. Récitatif. Sous les arbres épais d’un paisible bocage
Track length1:12
II. Fort lent. Ne vous réveillez pas encore beaux yeux
Track length4:15
III. Récitatif. Mais l’amour interrompt les songes qui l’amusent
Track length1:55
IV. Prélude, fort vite. Dieux des mers servez mon courroux
Track length2:16
V. Récitatif. Quel dieu vient d’Ariane apaiser la douleur?
Track length1:08
VI. Air, tendrement. Beautés dont on trahit les charmes
Track length3:28

Awards and reviews

4th January 2016

The cantatas of Rameau and Courbois are certainly not part of the standard repertoire and recordings of such works are welcome.

Early Music Today August 2016

Performances are…engaging, with Gilon’s agile, piquant violin an effective foil for Bennani’s rich soprano
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