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Rzewski: The People United Will Never Be Defeated!

Ursula Oppens (piano), with Jerome Lowenthal (piano)

This is, in short, a fine monument to Oppens's unflinching devotion to contemporary piano music, and it is also a tribute to her that others have been emboldened to follow and surpass her

Rzewski: The People United Will Never Be Defeated!

Ursula Oppens (piano), with Jerome Lowenthal (piano)

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This is, in short, a fine monument to Oppens's unflinching devotion to contemporary piano music, and it is also a tribute to her that others have been emboldened to follow and surpass her

About

Grammy-nominated New-music icon Ursula Oppens, who commissioned, premiered, and made the first recording of maverick American composer Frederic Rzewski’s The People United Will Never Be Defeated!, a remarkable, monumental set of solo piano variations, has re-recorded that landmark 1975 work with Grammy winning producer Judith Sherman to mark the work’s 40th anniversary.

This riveting, audience-pleasing tour-de-force is a nearly hour-long set of 36 variations on a popular Chilean protest song from the era of Augusto Pinochet’s repressive right-wing military dictatorship. AllMusic.com applauds it as a work “of bewildering and amazing variety, ranging from serialism to jazz to romanticism to the further reaches of the avant-garde and back” and culminating in “a superbly emotional climax.”

Oppens’ world-premiere recording of The People United Will Never Be Defeated! was released in 1978 by Vanguard on analog LP and later reissued on CD. This new recording offers the advantages of Cedille’s 21st-century audiophile production values and an interpretation that benefits from Oppens’s four-decade association with the work.

Another bonus is the world-premiere recording of a new Rzewski work, Four Hands, a duet commissioned by and written for Oppens and pianist Jerome Lowenthal, her duet partner on the recording. Fiercely challenging to perform, it leaves the listener “absorbed and exhilarated” (New York Times).

Contents and tracklist

Theme. With Determination
Track length1:20
Var. 1, Weaving. Delicate but Firm
Track length0:50
Var. 2, With Firmness
Track length0:52
Var. 3, Slightly Slower, with Expressive Nuances
Track length1:08
Var. 4, Marcato
Track length0:59
Var. 5, Dreamlike, Frozen
Track length1:02
Var. 6, Same Tempo as Beginning
Track length1:06
Var. 7, Tempo (Lightly, Impatiently)
Track length0:58
Var. 8, With Agility. Not Too Much Pedal. Crisp
Track length1:08
Var. 9, Evenly
Track length0:59
Var. 10, Comodo, Recklessly
Track length0:59
Var. 11, Tempo I. Like Fragments of an Absent Melody. In Strict Time
Track length0:58
Var. 12
Track length1:09
Var. 13, Quarter Note = 72 or Slightly Faster
Track length1:33
Var. 14, A Bit Faster. Optimistically
Track length1:13
Var. 15, Flexible, Like an Improvisation
Track length1:20
Var. 16, Same Tempo as Preceding, with Fluctuations. Much Pedal
Track length1:35
Var. 17, Left Hand Strictly, Half Note = 36. Right Hand Freely, Roughly as in Space
Track length1:00
Var. 18, Quarter Note = 72
Track length1:26
Var. 19, With Energy
Track length0:37
Var. 20, Crisp, Precise
Track length0:35
Var. 21, Relentless, Uncompromising
Track length0:53
Var. 22, Quarter Note = 132
Track length0:48
Var. 23, As Fast as Possible, with Some Rubato
Track length0:27
Var. 24, Quarter Note = 72
Track length2:00
Var. 25, Quarter Note = Ca. 84, with Fluctuations
Track length1:54
Var. 26, In a Militant Manner
Track length1:09
Var. 27, Tenderly, and with a Hopeful Expression
Track length4:45
Var. 28, Quarter Note = 160
Track length1:22
Var. 29, Quarter Note = 144-152
Track length0:31
Var. 30, Quarter Note = 84
Track length2:18
Var. 31
Track length0:55
Var. 32
Track length0:57
Var. 33
Track length0:57
Var. 34
Track length1:01
Var. 35
Track length1:02
Var. 36
Track length1:22
Cadenza
Track length2:37
Thema. Tempo I
Track length2:46
I. Quarter Note = 96-104
Track length6:09
II. Senza misura (Ca. 30 Seconds per Line)
Track length3:14
III. Quarter Note = 72
Track length1:28
IV. Quarter Note = 96
Track length5:04

Awards and reviews

January 2016

This is, in short, a fine monument to Oppens's unflinching devotion to contemporary piano music, and it is also a tribute to her that others have been emboldened to follow and surpass her
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