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Brahms: Violin Sonatas Nos. 2 & 3

Isabelle Faust (violin) and Alexander Melnikov (piano)

Brahms: Violin Sonatas Nos. 2 & 3

Awards:

[a] beautifully balanced performance, and the warmth and intimacy of the recording is an excellent match.

Brahms: Violin Sonatas Nos. 2 & 3

Isabelle Faust (violin) and Alexander Melnikov (piano)

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

[a] beautifully balanced performance, and the warmth and intimacy of the recording is an excellent match.

About

A 19th-century ‘trio sonata’. Isabelle Faust and Alexander Melnikov have already given us an acclaimed version Brahms’s First Violin Sonata, in 2007. They now complete the cycle with the other two sonatas of 1886 and 1888, and add a fascinating rarity dating from 35 years earlier: the ‘F-A-E’ Sonata, a collaborative effort by three composers in honour of the great violinist Joachim, who had to guess who had written which movement! He did so with ease, for the Scherzo is as eminently Brahmsian as the Intermezzo and Finale are Schumannesque. Alexander Melnikov will be contributing his take on a score his mother gave him that belonged to Sviatoslav Richter in September BBC Music Magazine.

Contents and tracklist

I. Allegro
Track length8:07
II. Adagio
Track length4:27
III. Un poco presto e con sentimento
Track length2:54
IV. Presto agitato
Track length5:39
I. Nicht schnell
Track length3:13
II. Einfach, innig
Track length3:56
III. Nicht schnell
Track length4:09
I. Allegro amabile
Track length7:43
II. Andante tranquillo - Vivace
Track length5:49
III. Allegretto grazioso (quasi Andante)
Track length5:28
I. Allegro
Track length11:51
II. Intermezzo "Bewegt, doch nicht zu schnell"
Track length2:24
III. Allegro
Track length4:43
IV. Finale "Markiertes, ziemlich lebhaftes Tempo"
Track length7:19

Awards and reviews

CD Review 5th September 2015

[a] beautifully balanced performance, and the warmth and intimacy of the recording is an excellent match.

October 2015

Enthralling, lovely performances.

27th September 2015

Melnikov’s 1875 Bösendorfer piano sounds splendidly grainy, transparent and powerful, often overwhelming Faust’s gut-stringed violin in Brahms’s louder moments, but blending ideally in the elegiac slow movements.

27th September 2015

The first Brahms sonata recorded by Isabelle Faust and Alexander Melnikov on period instruments made a big impression...Melnikov’s 1875 Bösendorfer piano sounds splendidly grainy, transparent and powerful, often overwhelming Faust’s gut-stringed violin in Brahms’s louder moments, but blending ideally in the elegiac slow movements.

21st October 2015

Isabelle Faust and Alexander Melnikov (playing an 1875 Bösendorfer) make a strong case for the work as a whole, though even their impassioned advocacy can’t quite save Dietrich’s opening movement from sounding long- winded. In Brahms’s Second and Third Violin Sonatas, the players’ sound world may be a little too muscularly lean for some tastes. Still, the musical argument is always lucid.

International Classical Music Awards 2016

One of the most interesting duos in many years, Isabelle Faust and Alexander Melnikov explore the richness of two late Brahms sonatas on period instruments and in an historical informed manner. Their most sensible and beautifully balanced sound also enriches the ‘F-A-E’ Sonata, a collaborative effort by three composers in honour of Joseph Joachim.
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