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A Concert for Madame de Sévigné

Marc Hantaï (flute), Georges Barthel (flute), Eduardo Egüez (theorbo), Philippe Pierlot (viol)

A Concert for Madame de Sévigné
Needless to say that this is a most interesting and in fact very important recording as it brings us some unknown works by Marais alongside pieces from collections which are seldom recorded....

A Concert for Madame de Sévigné

Marc Hantaï (flute), Georges Barthel (flute), Eduardo Egüez (theorbo), Philippe Pierlot (viol)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$10.00

No digital booklet included

Needless to say that this is a most interesting and in fact very important recording as it brings us some unknown works by Marais alongside pieces from collections which are seldom recorded....

About

"Young people danced on the songs, as it is generally the case at the Court. Everybody could play and listen to the beautiful concert of Visé, Marais, Descoteaux and Philbert. The feast lasted till midnight and the marriage was celebrated in the Chapel of the Hotel de Créquy" 3 February 1696.

This new Flora recording tries to reproduce the concert as it has been described by Mister de Coulanges to his cousin Madame de Sévigné. Original works of Hotteterre, Gaultier de Marseille, de Visée, transcriptions from Lully and an unpublished Marais suite for viol are forming the programme.

Contents and tracklist

I. Duo (Gravement - Gay, les croches égales)
Track length3:33
II. Allemande (Gay)
Track length2:06
III. Rondeau tendre "Les tourterelles" (Gracieusement, et un peu lent)
Track length2:08
IV. Rondeau (Gay)
Track length1:17
V. Gigue
Track length1:23
VI. Passacaille
Track length4:34
I. Prelude
Track length1:26
II. Allemande - Double
Track length5:03
III. Courante - Double
Track length3:16
IV. Sarabande
Track length3:21
V. Gavotte
Track length1:24
VI. Gigue
Track length2:22

Awards and reviews

21st October 2015

Needless to say that this is a most interesting and in fact very important recording as it brings us some unknown works by Marais alongside pieces from collections which are seldom recorded. The standard of playing is - as with almost any Flora recording - of the highest order.
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