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Haydn: Piano Trios Nos. 32-37

Patrick Cohen (fortepiano), Erich Höbarth (violin) & Christophe Coin (violin)

Haydn: Piano Trios Nos. 32-37
Delightfully conversational playing from three fine musicians, especially Patrick Cohen on fortepiano.

Haydn: Piano Trios Nos. 32-37

Patrick Cohen (fortepiano), Erich Höbarth (violin) & Christophe Coin (violin)

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Delightfully conversational playing from three fine musicians, especially Patrick Cohen on fortepiano.

About

Haydn’s piano trios undoubtedly form the keystone of a genre created just a short time before he began writing them; the Romantic literature offers no body of works of such consistent excellence. In this domain, even the great Mozart did not manage such a perfect match between instrumental style and the musical language of the time. 200 years after these trios were written, three artists, two formerly of the Mosaïques quartet, set out to revive them on period instruments. The result was quite simply revelatory; and here is the quintessence of their efforts. Patrick Cohen plays a fortepiano by Anton Walter, Vienna, 1790; Erich Höbarth plays a violin by G. Guarnerius filius Andreae, Cremona, 1683; Christophe Coin plays a cello by C. A. Testore, 1758. This title was originally released in 1990/93.

Contents and tracklist

I. Allegro
Track length7:50
II. Andante cantabile
Track length3:44
III. Allegro
Track length4:40
I. Andante
Track length7:51
II. Presto
Track length1:12
III. Adagio ma non troppo
Track length3:49
IV. Presto
Track length3:59
I. Allegro moderato
Track length10:38
II. Andante
Track length4:26
III. Allegro
Track length3:51
I. Adagio pastorale - Vivace assai
Track length8:24
II. Molto andante
Track length5:32
III. Finale. Presto
Track length6:20
I. Molto andante
Track length9:52
II. Adagio ma non troppo
Track length5:27
III. Finale. Vivace
Track length5:15
I. Allegro moderato
Track length9:54
II. Poco adagio
Track length4:55
III. Finale. Allegro
Track length6:18

Awards and reviews

April 2009

Delightfully conversational playing from three fine musicians, especially Patrick Cohen on fortepiano.

November-December 2015

This pioneering period-instrument trio remain unsurpassed for their ability (in Michael Jameson’s words) to ‘astutely blend vigour, subtlety, elegance and fiery passion’ in their readings of Haydn … Patrick Cohen…is the distinctive voice in these engaging performances, ensuring that even Haydn’s quirkiest moments are assimilated into the trio’s conversational flow.
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