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Special offer. La Serenissima

Venetian Church Sonatas by Albinoni and Vivaldi

Jaime González (oboe & director), Pietro Corna (oboe)

Camerata degli amici

La Serenissima
Camerata degli Amici's oboe-fuelled interpretations offer plenty of lyrical musicality, not least from the prominent bassoon's jocular bass-lines and the discreet continuo contributions.

Gramophone Magazine, August 2015

Special offer. La Serenissima

Venetian Church Sonatas by Albinoni and Vivaldi

Jaime González (oboe & director), Pietro Corna (oboe)

Camerata degli amici

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Camerata degli Amici's oboe-fuelled interpretations offer plenty of lyrical musicality, not least from the prominent bassoon's jocular bass-lines and the discreet continuo contributions.

Gramophone Magazine, August 2015

About

Music from the golden age of a great city: the Camerata degli amici, under the direction of the oboist Jaime González, presents trio sonatas by Albinoni and Vivaldi in his second Genuin CD.

Cheerful, playful, profound – an entire universe appears in our inner eye, in which the palazzi, bridges and churches of the 'Serenissima' are reflected.

González and his companions, who are not just distinguished soloists, perform fine and clear, proving here just how much they can excel as a chamber music ensemble.

Contents and tracklist

Albinoni: Trio Sonata in D Minor, Op. 1 No. 1
Work length6:10
  • Jaime González, Pietro Corna
  • Camerata degli amici
I. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:04
II. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:58
III. Largo (Arr. for 2 Oboes & Basso Continuo)
Track length1:31
IV. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:37
Albinoni: Trio Sonata in F Major, Op. 1 No. 2
Work length7:15
  • Pietro Corna, Jaime González
  • Camerata degli amici
I. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:03
II. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:51
III. Largo (Arr. for 2 Oboes & Basso Continuo)
Track length1:38
IV. Vivace (Arr. for 2 Oboes & Basso Continuo)
Track length2:43
Excerpt,Albinoni: Trio Sonatas, Op. 1
Work length6:28
  • Jaime González, Pietro Corna
  • Camerata degli amici
I. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:08
II. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:46
III. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:46
IV. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:48
Albinoni: Trio Sonata in G Minor, Op. 1 No. 4
Work length5:50
  • Pietro Corna, Jaime González
  • Camerata degli amici
I. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:31
II. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:34
III. Adagio (Arr. for 2 Oboes & Basso Continuo)
Track length1:24
IV. Allegro e presto (Arr. for 2 Oboes & Basso Continuo)
Track length1:21
Albinoni: Trio Sonata in C Major, Op. 1 No. 5
Work length5:13
  • Jaime González, Pietro Corna
  • Camerata degli amici
I. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:09
II. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:22
III. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:17
IV. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:25
Albinoni: Trio Sonata in A Minor, Op. 1 No. 6
Work length6:11
  • Pietro Corna, Jaime González
  • Camerata degli amici
I. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length1:27
II. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length2:14
III. Grave (Arr. for 2 Oboes & Basso Continuo)
Track length0:33
IV. Allegro (Arr. for 2 Oboes & Basso Continuo)
Track length1:57
Vivaldi: Trio Sonata in G Minor, RV 81
Work length6:47
  • Jaime González, Pietro Corna
  • Camerata degli amici
I. Allegro
Track length1:44
II. Largo
Track length3:43
III. Allegro
Track length1:20
Vivaldi: Sonata in C minor RV 53
Work length10:54
  • Jaime González
  • Camerata degli amici
I. Adagio
Track length2:06
II. Allegro
Track length2:03
III. Andante
Track length4:22
IV. Allegro
Track length2:23

Awards and reviews

August 2015

Camerata degli Amici's oboe-fuelled interpretations offer plenty of lyrical musicality, not least from the prominent bassoon's jocular bass-lines and the discreet continuo contributions.
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