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Haydn 2032 Volume 2: Il Filosofo

Il Giardino Armonico, Giovanni Antonini

Antonini's spiky performance style, with period instruments playing at modern pitch, is sometimes a touch overheated, but there's no denying its effectiveness…and it's good to have these still...

Haydn 2032 Volume 2: Il Filosofo

Il Giardino Armonico, Giovanni Antonini

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Antonini's spiky performance style, with period instruments playing at modern pitch, is sometimes a touch overheated, but there's no denying its effectiveness…and it's good to have these still...

About

For this second volume in the Haydn 2032 project, the complete recording of his symphonies, Giovanni Antonini has chosen to put forward the Symphony Der Philosoph. He associates with it a symphony by Wilhelm Friedemann Bach, eldest son of the Kantor of Leipzig, who is generally considered the most gifted of his sons. Different reasons brought these two great composers the originality and sometimes eccentricity that characterize their works, one suffering from the fame of his father, the other from his own genius. Whereas Haydn’s symphonies differentiate themselves by form, orchestration and keys, W. F. Bach’s begins in the style of a Baroque overture, gradually turning into a tempestuous piece and perhaps already reflecting the transition from a ‘Golden Age’ to the more tormented world that will follow the Age of Enlightenment.

Contents and tracklist

I. Vivace
Track length7:34
II. Poco adagio
Track length7:27
III. Menuet: Allegretto - Trio
Track length2:06
IV. Finale: Presto e scherzando
Track length5:57
I. Adagio
Track length7:18
II. Presto
Track length4:06
III. Menuetto - Trio
Track length2:22
IV. Finale: Presto
Track length2:55
I. Vivace
Track length4:15
II. Andante
Track length3:52
III. Allegro
Track length3:15
IV. Menuetto I-II
Track length2:13
I. Allegro
Track length7:50
II. Un poco adagio
Track length6:34
III. Menuet al roverso - Trio al roverso
Track length2:00
IV. Finale: Presto assai
Track length5:27

Spotlight on this release

Awards and reviews

September 2015

Antonini's spiky performance style, with period instruments playing at modern pitch, is sometimes a touch overheated, but there's no denying its effectiveness…and it's good to have these still underperformed pieces so vividly played and well recorded.

July 2015

[No. 46] is usually given a fairly tentative reading on disc...No fear of that here, though. Il Giardino Armonico launch into it as though it were their calling card, revelling in its gymnastics but bringing a genuine warmth to the siciliano slow movement.

4th July 2015

Antonini’s conducting brings out the wit, imagination and beauty of Haydn’s still-neglected masterpieces.
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