Haydn & Wranitzky: Cello Concertos

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Release Date: 30th Mar 2015
Catalogue No: CNT2081
Label: Concerto
Length: 69 minutes

Haydn: Cello Concerto No. 1 in C major, Hob. VIIb:1

Work length22:58

$3.15

$4.05

Enrico Bronzi (soloist)
Orchestra di Padova e del Veneto
Enrico Bronzi

I. Moderato

Track length8:49

$1.05

$1.35

II. Adagio

Track length7:50

$1.05

$1.35

III. Allegro molto

Track length6:19

$1.05

$1.35

Wranitzky, P: Cello Concerto in C major, Op. 27

Work length22:57

$3.15

$4.05

Enrico Bronzi (soloist)
Orchestra di Padova e del Veneto
Enrico Bronzi

I. Allegro maestoso

Track length11:12

$1.05

$1.35

II. Adagio ma non troppo

Track length7:25

$1.05

$1.35

III. Rondò. Allegro molto

Track length4:20

$1.05

$1.35

Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb / 2

Work length23:19

$3.15

$4.05

Enrico Bronzi (soloist)
Orchestra di Padova e del Veneto
Enrico Bronzi

I. Allegro moderato

Track length13:16

$1.05

$1.35

II. Adagio

Track length5:03

$1.05

$1.35

III. Rondò. Allegro

Track length5:00

$1.05

$1.35

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Although more than 8 concertos for cello and orchestra are ascribed to Haydn, only two seem to be almost definitely ascribable to the Austrian composer: one in C major and the other in D major (in Van Hoboken’s theme catalog they are Hob.VIIb/1, composed between 1761 and 1765, and Hob.VIIb/2 – opera #101 - dated 1783). They have become common repertoire, and are generally considered among the most interesting after Vivaldi’s (and among the finest of the 18th century anyway), marking the passage between the Baroque and the Classic period. The latter has become a must for the world’s greatest cellists: from Rostropovich to Fournier and Yo-Yo Ma.

This recording ends with a far less known concert, especially among Mediterranean audiences. It’s by Moravian composer Pavel Vranický, whose name was later Germanized to Paul Wranitzky (Nová Říše, Moravia, 1756 – Vienna, 1808). History often dispenses fame or oblivion without any apparent reason. In fact Wranitzky, who today has to be reintroduced to the public, in his time was greatly appraised not just by the Habsburgs but by his colleague musicians as well - first of all Haydn himself, but also Mozart and Beethoven. Wranitzky, in fact, directed Beethoven’s 1st Symphony at the start of the new century, the 1800s. Some critics believe his more than 50 string quartets to be even better than Mozart’s, while his Symphonies (about forty of which are still available today) can match Haydn’s with no sense of inferiority.

Haydn & Wranitzky: Cello Concertos

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