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Howells & Ronald Corp: Cello Concertos

Alice Neary (cello)

Royal Scottish National Orchestra, Ronald Corp

such is soloist Alice Neary's skill in not over-playing her hand too early [in the Howells] that the unfolding of the material seems pleasingly organic. Her mellow, elegiac tone suits perfectly...

Howells & Ronald Corp: Cello Concertos

Alice Neary (cello)

Royal Scottish National Orchestra, Ronald Corp

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such is soloist Alice Neary's skill in not over-playing her hand too early [in the Howells] that the unfolding of the material seems pleasingly organic. Her mellow, elegiac tone suits perfectly...

About

Cellist Alice Neary’s championship of Herbert Howells’ three-movement Cello Concerto (now in a performing edition by Jonathan Clinch) and conductor Ronald Corp’s own recent Cello Concerto make for a rewarding coupling in the best Dutton Epoch tradition. The Howells, now heard complete for the first time, is a glorious and expansive score from the mid-1930s and the RSNO and Alice Neary rise to its pastoral romanticism and bittersweet half-lights with characteristic brio and understanding. Howells’ two atmospheric encores, Merry Eye and Puck’s Minuet, complete a fully satisfying programme.

Contents and tracklist

I. Fantasia: Tranquillo, Assai Andante
Track length17:47
This track is only available as an album download.
II. Threnody: Lento Calmato, Assai Teneramente
Track length9:29
III. Finale: Allegro Vigoroso
Track length8:53
I. Puck's Minuet
Track length3:46
II. Merry-Eye
Track length8:56
I. First Movement
Track length7:50
II. Second Movement
Track length7:30
III. Third Movement
Track length8:11

Awards and reviews

Awards Issue 2015

such is soloist Alice Neary's skill in not over-playing her hand too early [in the Howells] that the unfolding of the material seems pleasingly organic. Her mellow, elegiac tone suits perfectly central 'Threnody'...Corp's own Cello Concerto is lighter and springier in texture.

June 2015

[The Howell's concerto] is a powerful and heartfelt work. Alice Neary's burnished tone captures its melancholy to perfection without the least show of superfluous sentimentality…[Corp] wanted his [concerto] to be 'a foil…lighter, less intense and more relaxed, even joyous'. It is indeed a work that is surely going to attrect many in the future, with its haunting second movement especially appealing…Corp the conductor, of course, is a past master in this repertoire.
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