Help
Skip to main content

Beethoven: Cello Sonatas Nos. 1-5 and variations

Matt Haimovitz (cello), Christopher O'Riley (fortepiano)

Awards:

Haimovitz and O'Riley are intelligent and sympathetic of these sonatas, and also of the three shorter sets of variations.

Beethoven: Cello Sonatas Nos. 1-5 and variations

Matt Haimovitz (cello), Christopher O'Riley (fortepiano)

Purchase product

2 SACDs

Hybrid Multi-channel

$30.50

5 available: usually despatched in 3 - 4 working days

Download

From$15.50

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$23.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$18.50

320 kbps, MP3

$15.50

This release includes a digital booklet

Stream now Hi-Res 96 kHz, 24 bit
Fair Play.
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model

Awards:

Haimovitz and O'Riley are intelligent and sympathetic of these sonatas, and also of the three shorter sets of variations.

About

Having shared ideas and projects for some time, there was no doubt for Pentatone to join forces with Oxingale Records. This is a union of two innovative and devoted recording companies with a long history of producing reputable records and collaborating with esteemed artists. We are pleased to have you join us in celebrating this milestone as it gives way to a tremendously intriguing and inquisitive series of co-productions for you, our customers and ourselves. The first title in the Pentatone Oxingale series in Beethoven, Period. This release features the complete sonatas and variations for fortepiano and violoncello, recorded on period instruments. In this collaboration, Matt Haimovitz plays his own Goffriller cello, crafted in Venice, Italy in 1710 – outfitted with ox-gut strings also from Italy and an early 19th Century rosewood tailpiece and drawn by a Dominique Peccatte bow of the same era, while Christopher O’Riley plays on an original Broadwood fortepiano made in 1823. Delivered in Pentatone’s signature warm, dynamic and detailed sound, this recording gives an opportunity for a straight encounter with the power of the rich interaction between the two instruments. Both Haimovitz and O’Riley engage themselves with the music, playing with welcome harmony and delightful phrasing from beginning to end, producing a dramatic and lyrical effect. Be prepared to be mesmerised by every single one of their electrifying phrases.

Contents and tracklist

I. Adagio sostenuto
Track length2:33
I. Allegro
Track length14:11
II. Rondo: Allegro vivace
Track length6:48
I. Adagio sostenuto e espressivo
Track length4:53
II. Allegro molto piu tosto presto
Track length13:22
III. Rondo: Allegro
Track length8:41
I. Allegro non tanto
Track length12:40
II. Scherzo: Allegro molto
Track length5:19
III. Adagio cantabile
Track length1:27
III. Allegro vivace
Track length6:48
I. Andante teneramente
Track length2:17
II. Allegro vivace
Track length4:47
III. Adagio - Tempo d'andante
Track length2:16
IV. Allegro vivace
Track length4:21
I. Allegro con brio
Track length6:29
II. Adagio con moto sentimento d'affetto
Track length8:16
III. Allegro - Allegro fugato
Track length4:08

Awards and reviews

  • Gramophone Magazine
    April 2015
    Editor's Choice

March 2015

Haimovitz and O'Riley are intelligent and sympathetic of these sonatas, and also of the three shorter sets of variations.
View download progress