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Comédie et Tragédie, Vol. 1

Orchestral music for the theatre

Tempesta di Mare & Philadelphia Baroque Orchestra

Comédie et Tragédie, Vol. 1
With a barrage of astringent chord clusters at the beginning of his ballet Les Élémens, Jean-Fery Rebel brings the soundworld of Ligeti kicking and screaming to 18th-century Paris...The Philadelphians...

Comédie et Tragédie, Vol. 1

Orchestral music for the theatre

Tempesta di Mare & Philadelphia Baroque Orchestra

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With a barrage of astringent chord clusters at the beginning of his ballet Les Élémens, Jean-Fery Rebel brings the soundworld of Ligeti kicking and screaming to 18th-century Paris...The Philadelphians...

About

This is Volume 1 of Tempesta di Mare’s two disc project of late seventeenth century French instrumental music. ‘Suites’ of music were often compiled from stage works that were being performed at the time and presented in the form of instrumental excerpts and dances. These ‘Suites’ contain some of the most tuneful, appealing and striking music of the period with works by Lully, Marais, and Rebel. The tradition of presenting ‘Suites’ as a separate musical entity spread throughout Europe and of course continues to this day.

As a favoured associate of King Louis XIV, Jean-Baptiste Lully was commissioned to compose a comédie-ballet for the visit of the Turkish ambassador in 1669. He composed music for Molière’s play Le Bourgeois Gentilhomme, which relates the story of Mr Jourdain who absurdly tries to rise above his middle-class background. He is led to believe that he is officially ennobled at a special Turkish ceremony, an occasion for music that uses colourful percussion and exotically flavoured melodies.

The other music on the disc was written by two students of Lully, both members of his orchestras: Marin Marais and Jean-Féry Rebel. While Marais’s Alcyone is a tragic opera (tragédie en musique), composed after Lully’s death, Les Élémens is a ballet, in which Rebel portrays each of the four elements during the chaotic, confusing creation of the world. Both works are among the most successful and appealing of their composers. Tempesta di Mare, the Philadelphia-based baroque music ensemble is presenting this project over two seasons which will comprise of workshops, concerts, broadcasts as well as the two CDs. The group was recently praised by Fanfare magazine for its ‘abundant energy, immaculate ensemble, impeccable intonation, and undeniable sense of purpose’.

Contents and tracklist

Ouverture
Track length2:53
Maître à danseurs. Ritournelle
Track length2:00
Maître à danseurs. Canaries
Track length1:37
Cérémonie des Turcs. Marche pour la cérémonie des Tures
Track length1:06
Cérémonie des Turcs. Deuxième Air
Track length1:26
Cérémonie des Turcs. Troisième Air
Track length0:53
Cérémonie des Turcs. Quatrième Air
Track length1:20
Ballet des Nations. Entrée de trois importuns
Track length1:05
Ballet des Nations. Premier Air des Espagnols
Track length1:07
Ballet des Nations. Deuxième Air des Espagnols
Track length1:25
Ballet des Nations. Entrée des Scaramouches, Trivelins et Arlequin
Track length1:07
Ballet des Nations. Chaconne des Scaramouches, Trivelins et Arlequin
Track length2:09
I. Le Chaos
Track length6:18
II. Loure, "La Terre et l'Eau" - III. Chaconne, "Le Feu"
Track length4:47
IV. Ramage, "L'Air" - V. Rossignols
Track length3:09
VI. Loure, "La Chasse"
Track length2:18
VII. Tambourins
Track length2:30
VII. Sicilienne
Track length1:12
IX. Rondeau, "Air pour l'Amour"
Track length1:04
X. Caprice
Track length3:10
Prologue. Ouverture
Track length3:09
Prologue. Air pour les Faunes et les Driades
Track length1:19
I. Premier Air pour les Éoliens
Track length2:27
II. Deuxième Air
Track length2:02
III. Gigue pour les mêmes
Track length1:20
I. Premier Air pour les magiciens
Track length1:06
II. Deuxième Air pour les magiciens
Track length1:26
I. Marche pour les matelots
Track length0:32
II. Deuxième Air pour les mêmes
Track length1:01
III. Troisième Air. Tambourin pour les mêmes
Track length0:39
I. Deuxième Air pour les prêtresses de Junon
Track length1:10
II. Tempête
Track length1:23
Chaconne pour les Tritons et les Néréides
Track length6:39

Awards and reviews

April 2015

With a barrage of astringent chord clusters at the beginning of his ballet Les Élémens, Jean-Fery Rebel brings the soundworld of Ligeti kicking and screaming to 18th-century Paris...The Philadelphians are a disciplined, well-drilled bunch boasting some chirpy wind players, but the sheer flamboyant theatricality of the music doesn't always come across.
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