Name: Guillaume Dufay: The Masses for 1453
Price: 17.75 USD
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These readings, with alternating solo voices and full ensemble, combining voices and organ, fiddles, harp and sackbuts, are splendid, bringing out the full magnificence of Dufay's conception... — Early Music Review, December 2014 More…

Release Date: 27th Oct 2014
Catalogue No: GCDP31907
Label: Glossa
Length: 80 minutes

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Dufay: Missa Se la face ay pale

Work length38:24

$9.00

$11.65

Cantica Symphonia
Guiseppe Maletto
Recorded: July 2011 and July 2013
Recording Venue: Chiesa della Maria del Monte Carmelo al Colletto, Roletto, Italy

Kyrie

Track length4:52

$1.00

$1.30

Gloria

Track length10:13

$3.00

$3.85

Credo

Track length9:47

$2.00

$2.60

Sanctus

Track length7:24

$2.00

$2.60

Agnus Dei

Track length6:08

$1.00

$1.30

Dufay: Missa L'homme arme

Work length41:47

$10.00

$12.95

Cantica Symphonia
Guiseppe Maletto
Recorded: July 2011 and July 2013
Recording Venue: Chiesa della Maria del Monte Carmelo al Colletto, Roletto, Italy

Kyrie

Track length4:56

$1.00

$1.30

Gloria

Track length8:41

$2.00

$2.60

Credo

Track length12:04

$3.00

$3.85

Sanctus

Track length8:34

$2.00

$2.60

Agnus Dei

Track length7:32

$2.00

$2.60

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Crammed onto one new disc from Cantica Symphonia on Glossa are two of Guillaume Dufay’s most important polyphonic works brought alongside each other for the first time on CD: the 'Missa Se la face ay pale' and the' Missa L’Homme armé'. The two masses were amongst the first in history to use popular songs for their cantus firmus: Dufay’s own chanson for the first mass and the anonymous popular tune, “The Armed Man”, for the second. The year 1453 was an extraordinary one in Western Christendom with the Fall of Constantinople following the acquisition by Louis, Duke of Savoy of what is now known as the Shroud of Turin. As renowned scholar Anne Walters Robertson describes in her incisive scene-setting analysis for the booklet, these two events provided the backdrop for Dufay, newly recalled by the Duke to the Court of Savoy, to compose these remarkable commemorative masses. As is the case with its general interpretative outlook, Cantica Symphonia opt for performances which embrace the use of instruments such as slide trumpets, sackbuts, fiddles and the organ alongside vocal forces. Director Giuseppe Maletto and organist Guido Magnano discuss their reasons for such instrumental involvement in the CD booklet. This is the fourth recording of music by Guillaume Dufay: two volumes devoted to motets and one to chansons, from Cantica Symphonia on the Glossa label, and it continues the Italian ensemble’s remarkable coverage of 15th-century treasures.

Reviews

Early Music Review December 2014

These readings, with alternating solo voices and full ensemble, combining voices and organ, fiddles, harp and sackbuts, are splendid, bringing out the full magnificence of Dufay's conception and evoking the splendour of lavish 15th-century courtly ceremony...The singing and playing are both beautifully detailed, with unfussy handling of the more rapid ornaments and a lovely sense of the broader sweep of the music.

5th February 2015

an astonishingly well-filled disc.

4th January 2015

Both Se le face ay pale and L’homme armé are embellishments around repetitions of secular tunes. These sweet textures are given with unhurried grace.

30th October 2014

Unlike a number of recent more spartan voices-only discs of Dufay, Cantica Symphonia have recorded the masses with instruments; the use of sackbuts especially gives grandeur and warmth to the performances, and a real sense of occasion, too.

Guillaume Dufay: The Masses for 1453

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