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Orff: Carmina Burana

Yeree Suh (soprano), Yves Saelens (tenor), Thomas Bauer (baritone)

Anima Eterna Brugge, Collegium vocale gent & Cantate Domino, Jos van Immerseel

Orff: Carmina Burana

Awards:

Immerseel plus Anima Eterna spells revisionism, and that is what you get here: a Carmina Burana retooled with instruments of its period, and stripped of back-projected late-Romantic cushiness...The...

Orff: Carmina Burana

Yeree Suh (soprano), Yves Saelens (tenor), Thomas Bauer (baritone)

Anima Eterna Brugge, Collegium vocale gent & Cantate Domino, Jos van Immerseel

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96 kHz, 24 bit, FLAC/ALAC/WAV

$18.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.75

320 kbps, MP3

$9.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Immerseel plus Anima Eterna spells revisionism, and that is what you get here: a Carmina Burana retooled with instruments of its period, and stripped of back-projected late-Romantic cushiness...The...

About

Surprise: Anima Eterna tackles Carmina Burana!

Often described as ‘music for amateurs’, sometimes used (or misused) towards purely commercial ends, Orff’s Carmina Burana was clearly ready for a new approach, a sort of revivifying, thorough rethinking. This has now been done, thanks to Jos van Immerseel and the absolutely exceptional musical team that he assembled.

Faithful to what accounts for the force of his musical approach, Jos van Immerseel profoundly revolutionizes the sound image and interpretation of this score, thanks both to the very high quality of the chosen performers and to the singularity of the instruments and timbres of his orchestra.

So it is a very new way of approaching this work that Jos van Immerseel proposes, open-minded, without concession but with the great pleasure and joy of simply making music.

Contents and tracklist

Fortuna Imperatrix Mundi, "O Fortuna"
Track length2:36
Fortuna Imperatrix Mundi, "Fortune plango vulnera"
Track length2:51
I. Primo Vere, "Veris leta facies"
Track length4:33
I. Primo Vere, "Omnia sol temperat"
Track length2:21
I. Primo Vere, "Ecce gratum"
Track length2:57
Uf dem Anger, Tanz
Track length1:38
Uf dem Anger, "Floret silva nobilis"
Track length3:36
Uf dem Anger, "Chramer, gip die varwe mir"
Track length3:36
Uf dem Anger, Reie
Track length4:50
Uf dem Anger, "Were diu werlt alle min"
Track length1:00
II. In Taberna, "Estuans interius"
Track length2:28
II. In Taberna, "Olim lacus colueram"
Track length3:41
II. In Taberna, "Ego sum abbas"
Track length1:40
II. In Taberna, "In taberna quando sumus"
Track length3:10
III. Cours d'amours, "Amor volat undique"
Track length3:24
III. Cours d'amours, "Dies, nox et omnia"
Track length2:24
III. Cours d'amours, "Stetit puella"
Track length2:16
III. Cours d'amours, "Circa mea pectora"
Track length2:01
III. Cours d'amours, "Si puer cum puellula"
Track length1:05
III. Cours d'amours, "Veni, veni, venias"
Track length1:03
III. Cours d'amours, "In trutina"
Track length2:22
III. Cours d'amours, "Tempus est iocundum"
Track length2:38
III. Cours d'amours, "Dulcissime"
Track length0:54
Blanzifor et Helena, "Ave formosissima"
Track length1:41
Fortuna Imperatrix Mundi, "O Fortuna" (2)
Track length2:41

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    10th November 2014
  • BBC Music Magazine
    February 2015
    Choral & Song Choice

February 2015

Immerseel plus Anima Eterna spells revisionism, and that is what you get here: a Carmina Burana retooled with instruments of its period, and stripped of back-projected late-Romantic cushiness...The scaled-down vocal forces also bring the work's monastic origins into sharper focus...For its palate-tingling revelations and suffusing musicality, this would now be my Carmina of first reference.

14th December 2014

One of the most popular and at the same time one of the most reviled choral works of all time comes up startlingly fresh in Jos van Immerseel’s totally rethought approach...The results are razor-sharp, emphasising the Stravinsky-like crystalline edginess of the textures, and the brilliant if brutal imagination behind them.

28th November 2014

Brushing off the dust, applying a new coat of paint: the warhorses of the repertoire regularly need this kind of attention...Their goal, [Immerseel] says, was to reach an interpretation that came “as close as possible to Orff’s artistic DNA”. The stamping rhythms still stamp away, but they do so with dappled colours and an unusually light, lithe gait.
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