Ming Tsao is a Chinese-American composer active in Europe. His works have been performed at the Donaueschingen Festival, Wien Modern, Wittener Tage, Maerz Musik and Darmstadt. Tsao’s composition teachers include Chaya Czernowin, Brian Ferneyhough and Mario Davidovsky. Tsao is also Professor of Composition at Göteborg University, Sweden. He holds composition degrees from University of California, San Diego and Berklee College of Music.
This is the first monographic CD of Tsao’s music.
'Pathology of Syntax' attempts to simulate a late Beethoven quartet. The Beethoven fragments dissolve into the physicality of the string quartet medium where the energy of bowing, plucking, scraping and brushing physical materials such as hair, wood and metal achieves an independence from the transcribed material it seeks to represent. 'One-Way Street' is a meditative, contemplative work that gradually disassembles what we assume to be beautiful: natural harmonics, drones and ecstatic rhythms.
In 'Not Reconciled', the sound of fingernails brushing against strings, the rattling of snares on a snare drum or the clicking of clarinet keys settle into a sound world tentatively held together by the incongruous instruments that create it. '(Un)cove'r is a meditation on the opening of Beethoven’s last piano sonata, opus 111 (first movement). 'The Book of Virtual Transcriptions' consists of 49 aural signs ranging from abstract to concrete images of musical material from the Adagio movement of Mozart's oboe quartet (K.V. 370). These signs and their relations pose as stimuli that force the brain to complete a virtual transcription of the Mozart movement in which one constructs a way to listen to the Mozart that engages the musical unconscious. 'Canon' probes the limits of a musical canon through references to Bach's Musical Offering.
