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Special offer. Brahms: Cello Sonatas & Clarinet Trio

Paul Watkins (cello) & Ian Brown (piano), Michael Collins (clarinet)

Brahms: Cello Sonatas & Clarinet Trio
by stretching and releasing phrases without corrupting the basic pulse, lightening or darkening notes without damaging timbres, Collins shares with his colleagues an individual impulse to the...

Special offer. Brahms: Cello Sonatas & Clarinet Trio

Paul Watkins (cello) & Ian Brown (piano), Michael Collins (clarinet)

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This release includes a digital booklet

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by stretching and releasing phrases without corrupting the basic pulse, lightening or darkening notes without damaging timbres, Collins shares with his colleagues an individual impulse to the...

About

Performing Brahms’s cello sonatas and Clarinet Trio, Paul Watkins here presents three enduring masterpieces of the chamber music repertoire. He is joined by two musicians of the highest calibre, the pianist Ian Brown, his established duo partner, and the clarinettist Michael Collins.

Himself an accomplished player in his youth, Brahms was passionate about the cello and wrote many glorious parts for the instrument. However, he had difficulty writing his Cello Sonata No. 1, eventually destroying an Adagio to leave the three-movement work we know today. Completed in 1865, it is somewhat reserved in character, with an elaborate fugal finale that, looking backwards, pays homage to Bach. A little over twenty years later, in 1886, Brahms composed his Cello Sonata No. 2, the expansive form and extrovert character of which stand in graphic contrast to the first. The writing also shows a more adventurous approach to the cello, heard right from the outset in the leaping, passionate theme with which the first movement opens.

One of his last works, the Clarinet Trio was written after Brahms had decided to retire from composition. It was the artistry of Richard Mühlfeld that inspired him to return to composition and write a series of works for the clarinet, considered some of the supreme masterpieces in the instrument’s repertoire.

Contents and tracklist

I. Allegro non troppo
Track length14:08
II. Allegretto quasi Menuetto
Track length5:42
III. Allegro
Track length7:00
I. Allegro
Track length8:03
II. Adagio
Track length8:04
III. Andantino grazioso
Track length4:36
IV. Allegro
Track length4:41
I. Allegro vivace
Track length9:15
II. Adagio affettuoso
Track length7:10
III. Allegro passionato
Track length7:38
IV. Allegro molto
Track length4:55

Awards and reviews

September 2014

by stretching and releasing phrases without corrupting the basic pulse, lightening or darkening notes without damaging timbres, Collins shares with his colleagues an individual impulse to the music...A penetrating interpretation.

14th October 2014

This is one of those rare discs that surprises as much as it delights...
There are many great performances of these sonatas, but I cannot recall a set of such flexibility and nuance or of such generous interplay between equals. Watkins and Brown take their time. Nothing is rushed. Everything is expressive.

20th July 2014

The late sonata’s expansive mood and grand sonorities have made it the more popular of the two — it was a favourite of Casals. Yet the melancholy early work doesn’t deserve its comparative neglect. Nor does the Clarinet Trio, as this expressive performance by three of Britain’s finest musicians reminds us.

17th July 2014

Collins, Watkins and Brown play as a proper, instinctive ensemble, well tailored in phrasing, unanimous in their attack and architectural finesse, and mellifluous in their shaping of Brahms’s melodic and harmonic richness.
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