Ronald Stevenson: Passacaglia on DSCH
James Willshire (piano)
The surprise is how charming his music can be, when it is not weighed down by his cleverness. He can slyly wrong-foot us with waltzes, or beguile with a serene homage...Bach is a constant presence,...
Ronald Stevenson: Passacaglia on DSCH
James Willshire (piano)
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The surprise is how charming his music can be, when it is not weighed down by his cleverness. He can slyly wrong-foot us with waltzes, or beguile with a serene homage...Bach is a constant presence,...
About
Music of extraordinary range and power composed at the dawn of the Space Age, Ronald Stevenson’s 'Passacaglia on DSCH' was long claimed as the biggest single stretch of music ever written for piano. It is a veritable world tour of styles as well as a single-minded exploration of its generating motif, and rising star James Willshire, Who received five-star acclaim in 2011 for his Delphian debut disc of music by Rory Boyle, has the technique and vaulting ambition to match both the work's grandeur and its immense wealth of detail.
Willshire gave the 1955 'Variations on a Theme of Pizzetti' its belated concert premiere just this year, and now commits it to disc as one of a number of premiere recordings. The more recent, and equally substantial 'Fugue, Variations and Epilogue on a Theme by Arnold Bax' crystallises Stevenson’s lifelong devotion to a Celtic aesthetic as well as being the foreground for his innovative approach to variation technique. A clutch of shorter works completes the picture, bringing to light some of Stevenson’s less often remarked qualities: charm, exuberance, wit and grace. In 2000, at the age of 15, James was awarded an Educational Scholarship in the London International Piano Competition, the youngest British pianist to be thus recognised. He has performed at festivals throughout the UK and abroad, including the Lichfield, Cheltenham and Winchester Festivals and many more.
Contents and tracklist
- James Willshire (piano)
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
- Recorded: 10-11 December 2012, 3-5 June and 2 July 2013
- Recording Venue: Reid Concert Hall, University of Edinburgh, Old College, South Bridge, Edinburgh EH8 9YL, United Kingdom
Awards and reviews
February 2014
The surprise is how charming his music can be, when it is not weighed down by his cleverness. He can slyly wrong-foot us with waltzes, or beguile with a serene homage...Bach is a constant presence, as is Stevenson's hero Busoni...It's hard to imagine this music better played: Willshire deserves a medal.
January 2014
Willshire's pianism often evokes Stevenson's own incisively sprung rhythms and sharp dynamic contrasts
6th January 2014
All the works on this disc are stunningly played: the technical difficulties are overcome with boundless skill. Willshire is a tremendous advocate for Stevenson’s music.
10th November 2013
Willshire rises brilliantly to the abundant technical challenges in writing of Busoni-like density and sometimes Prokofiev-like brutality.
14th November 2013
the magnificently quirky ambition and scale of the work are vividly conveyed, and its formidable technical hurdles effortlessly negotiated.