Gaude, gaude, gaude Maria
Sacred Choral Works by John Sheppard
Choir of St John’s College, Cambridge, Andrew Nethsingha
assured and secure performances, though the trebles noticeably struggle with the sustained demands made on them in the longer pieces.
Gaude, gaude, gaude Maria
Sacred Choral Works by John Sheppard
Choir of St John’s College, Cambridge, Andrew Nethsingha
Purchase product
assured and secure performances, though the trebles noticeably struggle with the sustained demands made on them in the longer pieces.
About
Not much is known about the English composer John Sheppard. When he was born, and where he grew up, is lost to history but most scholars place his birth at somewhere between 1515 and 1520. This places him in one of the most turbulent periods in English church history, something that can be heard on this disc in the wide stylistic range he used in order to adapt to the quickly changing politics of the day. The sophisticated six part texture of Gaude, gaude, gaude Maria suggests the influence of Queen Mary who encouraged elaborate sacred composition. It is one of Sheppard’s most thrilling and ambitious works. On the other hand, Christ rising again reflects Thomas Cranmer’s insistence on musical simplicity but demonstrates the genius with which Sheppard explores the limits of expressive power with only the most restricted means. The works are performed by the Choir of St John’s College, Cambridge under the directorship of Andrew Nethsingha. One of the finest men and boys choirs in the world, it is known and loved by millions from its recordings, broadcasts, and concert tours. The choir has been a cornerstone of the great English choral tradition since the 1670s and is recognised for its distinctive, rich, and expressive sound.
Contents and tracklist
- Choir of St. Johns College, Andrew Nethsingha, John Clapham
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Guy Edmund-Jones
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Geoffrey Clapham, Guy Edmund-Jones, Samuel Oladeinde
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Geoffrey Clapham
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Geoffrey Clapham, Samuel Oladeinde, Xavier Hetherington, John Holland-Avery
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Kieran Brunt
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Samuel Oladeinde
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
- Choir of St. Johns College, Andrew Nethsingha, Geoffrey Clapham
- Recorded: 11-13 January 2013
- Recording Venue: St John's College Chapel, Cambridge, UK
Awards and reviews
January 2014
assured and secure performances, though the trebles noticeably struggle with the sustained demands made on them in the longer pieces.
2nd January 2014
This is a very nice disc: beautifully sung; a well-balanced recording in both stereo and a warmly inclusive surround sound, and with a rich selection of John Sheppard’s superb music.
Early Music Today
‘Gaude, gaude, gaude Maria virgo’ takes 14 minutes, and the trebles sing manfully, but the result is dogged; while in Sheppard’s second setting of ‘Spiritus Sanctus’ there’s some imprecision and smudging. The Mass fares much better, the Gloria in particular going with a swing. And better still are the men-only items, such as the hushed account of the euphonious ‘In pace’. Overall, well worth hearing.